读书报告英文茶花女

A. 谁能帮我用英文写一篇关于《茶花女》的300多字的简介.

The lady of the camellias" is a French representative of Alexander Omas, tells the story of the eighteen forties, Alfonsina Plessi called a poor country girl, came to Paris, entered the vanity, into an upper class social star, started a career; and renamed Mary Duplessis. Meet the Dumas, so the two of them began a period Dating Love story. " La Traviata" is a classic of world literature, has been repeatedly onto the stage and screen.
《茶花女》是法国亚历山大·小仲马的代表作,讲述在19世纪40年代,一个叫阿尔丰西娜·普莱西的贫苦乡下姑娘来到巴黎,走进了名利场,成了上流社会的一个社交明星,开始了卖笑生涯；并改名为玛丽·杜普莱西.结识了小仲马,于是两人开始了一段交往的爱情故事.《茶花女》是一部世界文学经典,曾被多次搬上舞台银幕.

B. 茶花女简介翻译 急~~~

你看一下吧、应该对的。
玛格丽特是一个贫苦的乡下美丽姑娘，来到巴黎后遭到贵族公子争相追逐，使她成为有名的“交际花”。她随身的装扮总少不了一束茶花，人称“茶花女”。一个偶然的机会，她结识了阿芒，阿芒真诚地体贴她，令玛格丽特深受感动并接受了他的爱情。他们回到乡间居住，然而平静的生活却因玛格丽特原来的身份而再起波澜，美丽的茶花女带着对美好爱情与幸福的憧憬，离开了人间。

Margaret is a poor country beautiful girl, came to Paris after being noble childe scramble to chase and make her famous "social butterfly". She dressed up with you always includes a bunch of camellia, called "la traviate." By chance, she met, o mans, considerate, she sincerely mans to Margaret deeply touched and accepted his love. Return to the country they live, however quiet life but by Margaret original identity and speech: it, beautiful perceive with the beautiful love and happiness, longing for the left the earth.

C. 请问谁能把下面的文章翻译成英语

This summer vacation teacher in order to let we not constantly concentrating on in the amusement, simultaneously also in order to raise our reading ability, arranged an English for us to study the report Especially went to the bookstore for this me to buy this English version "La Deme Aux Camelias" "La Deme Aux Camelias" is our country first the foreign novel which translates The author is the French famous writer mas fils Through the ages, describes the prostitute vicissitudes of life the love story to be too numerous to cite indivially, only "La Deme Aux Camelias" has obtained the world prestige The mas fils status also is close connected with "La Deme Aux Camelias", his life experience and experience with "La Deme Aux Camelias" the proction has the direct relations Without a doubt, "La Deme Aux Camelias" is not the love novel. Should say that, it came from the life to pass through author's refinement, compared to lived high, or said is melted by the author poetic sentiment. In the author writing, the heroes and heroines all have the sincere love, the luxurious life which is pleased self-devotion to yearn for, everywhere considers for the sweetheart, is not willing to spend a sweetheart cent money, rather sells out own horse-drawn vehicle, the jewelry, throws over the turban, also is not willing the sweetheart to borrow money, even faces is wanting own happiness; Or considers for sweetheart's future, considered for the sweetheart younger sister's wedding, by now, her resolutely and determinedly self-devotion, helped the sweetheart. The others have how greedily, she has how selflessly Another falls in love, could not listen to any person advising against, even if loses everything also refuses to balk, by bestows in secret the mother for his inheritance for the sweetheart, in addition, his intense jealous jealous mind also is his love sincere performance, after until the sweetheart died buries underground, he still tried her to excavate, see above finally one side. His love arrived has not had by the plicate Canada's situation. Two comparisons say, the horse argues Li especially is a more plentiful image in addition, in the character contour description, the author quite is also experienced and reliable Said from the structure that, "La Deme Aux Camelias" writes the link thread up, links up the nature. The author uses the form which but actually narrates, writes this love story with the first person. The hero and heroine meets one another, the love proction writes three waves to a single stroke. Sudden change arrival arrangement joint effort. Before the tragedy approaches 交恶 the recurrence mighty waves. The story writes certainly is not certainly monotonous, but just like in the novel writes, the detail is unadorned, developing process pure nature, this is "La Deme Aux Camelias" the most obvious artistic characteristic.
回答者：NCJT - 高级经理 六级 9-13 17:33

Let us not be blind to this summer teachers in the focus on having fun, but also to teach our reading ability, we have posted articles to the English book reports. Therefore, I have a special trip to the bookstore to buy the English version of the "La Traviata". "La Traviata" is China's first foreign novels were translated. The writer is a famous French writer Xiaozhongma. Since ancient times, depicting the love story of a prostitute and reunions abound, but "La Traviata" is a global reputation. Xiaozhongma status is closely linked with "La Traviata", "La Traviata" with the background and experience of the emergence of a direct relationship. No doubt, "La Traviata" is not love stories. It should be said that it also read from the author's life to extract, far more higher than life, or being a writer of poetry. In the author's rendering, Hero and Heroine have a sincere love, a yearning willing to sacrifice their lives of luxury everywhere for Valentine's sake, Valentine refused to spend more money, but would rather sell their carts, jewelry, the chador, nor do I want to borrow lover, or even face to their happiness; Valentine or for the benefit of the future, consider for Valentine's sister's wedding. Then, she decided to sacrifice themselves to achieve a lover. How greedy others, how she has selflessly. Another Selections of Falling Love at First Sight and reject any person to dissuade even fighting crazy by the secret to his mother's legacy will be presented to Valentine, in addition, his strong sense of jealousy as well as his deep love of performance, buried underground until Valentine's death, he still managed to tap her. See last time. The love of the nuclear complex to the extreme. A comparison between the two, the race is more rich black Noll image In addition, the shape of the characters portrayed, the author is quite reliable. Judging from the structure, "La Traviata" written ring segments of the natural convergence. The authors used roentgenographic files were reviewed retrospectively in the form of the first person to write this story. Hero and Heroine happiness, love have written a series of frustrations. Mutation arrangements for the arrival of the joint force. Before the advent of the tragedy hostility Program. The very ll story, written as fiction, the details of the plain, simple process of natural development, "La Traviata" is the most obvious characteristic of the arts

D. 求《茶花女》的英文简介和内容介绍

La Dame aux camélias

[Francesco Maria Piave's libretto for La traviata is based upon the novel La Dame aux camélias by Alexandre Dumas, fils. The following article traces the creation of that work. - NMR]

Alexandre Dumas, fils (son), born in Paris in 1824, is considered one of the foremost French dramatists of the nineteenth century. He was the illegitimate son of Alexandre Dumas, pére (father), the author of such novels as The Count of Monte Cristo and The Three Musketeers.

Dumas was raised by his seamstress mother, Catherine Labay, until his father legally recognized him and assumed responsibility for his care. He attended college but left before receiving a degree. His illegitimacy caused him much unhappiness, both in private school and in college where he had few friends. At age seventeen, he moved in with his father, soon adopted his extravagant lifestyle and fell into debt. At the theatre one evening he first saw Marie Duplessis, already famous in the demimonde for her beauty and ability to get men to spend money on her. In an episode reflected in the opera, he was at her home one day when a coughing episode resulted in her spitting up blood. He urged her to change her way of life, but she replied, "I should die. This life of excitement is what keeps me alive". He offered the kind of life she would need to get well, and she finally agreed upon the condition. "You are not to spy on me, you are not to ask questions; I shall live exactly as I please without giving you any account of what I do." Thus began liaison, as a result of which Dumas was soon deeply in debt. Finally, he decided he must break with her and sent her the following letter.

My dear Marie, I am neither rich enough to love you as I should like, nor poor enough to be loved by you as you would like. There is nothing for us to do but forget — you a name which must mean very little to you; I a happiness which is no longer possible for me. Needless to tell you how miserable I am, since you know how I love you. So, this is goodbye. You are too tenderhearted not to understand the reason for this letter, too intelligent not to forgive me. A thousand souvenirs, — A.D.

He was on a trip to Spain and North Africa when he learned that she was gravely ill. He wrote to her, telling her he would return and ask for her forgiveness. But he waited too long. Duplessis died of tuberculosis in 1846. Her tragic death, along with bitterness over his illegitimacy, inspire Dumas to write the novel La Dame aux camélias (The Lady of the Camellias), portions of which are based on the Duplessis-Dumas affair. The name of the hero, Armand Duval, is a thin disguise for the author. Actually, Dumas tells the story in the third person as it was related to him by Armand Duval.

Dumas ends his novel with great admiration for his heroine: "I do not draw from this story the conclusion that all women like Marguerite are capable of doing all that she did...far from it; but I have discovered that one of them experienced a serious love in the course of her life, that she suffered for it, and that she died of it". In life, Dumas had tried to save her; in the novel he tried to redeem her memory by making her a much less self-centered and more sympathetic character. This is the Marie best known today in her manifestations as Violetta, Camille and Marguerite.

Dumas's greatest triumph came in 1852 with the proction of the stage adaptation of the play based on this novel. It faithfully portrayed the life of a Parisian courtesan and brought realism to the French stage. His father was at first skeptical of the proposal to convert the novel to a play but so moved by the result that he agreed to proce it. Censors feared audiences would recognize characters as admirers of Duplessis and create a scandal, delaying the opening for four years. A powerful member of the nobility, the Duc de Morny, half brother of Napoleón III, supported Dumas, and the play was a success. It enabled Duma to pay off his debts, many incurred with Marie. Henry James later observed, "Some tender young men and some coughing young women have only to speak the lines to give it a great place among the love stories of the world". Giuseppe Verdi apparently heartily agreed because he based his popular opera La traviata on Dumas's work.

The success of La traviata did not quiet the critics of Dumas's La Dame aux camélias. Some considered the story poor and clumsy and said it cast a very thin veil over the most immoral acts. The same critics said Marguerite Gautier (the name given to the Duplessis in the play) is totally corrupt and in real life would not have given up her lover until he had no money left to support her. One wrote, "We are bound to protest against the false halo which he has shed round Marquerite to render her attractive to the undiscriminating reader".

The critics and essayists have continued to evaluate Dumas's work. In a 1972 essay, Roger Clark wrote, "It is a society from which there can be no escape, in which the penalty for non-conformity is death". In 1874, Dumas was elected to the illustrious L'Academie Française, an act which also prompted severe criticism. It was said, "In comedies inherently vicious he pauses to preach virtue but with language shocking even to vice, yet he has been elected a member of the French Academy, constituted to be a tribunal of taste".

Clayton Hamilton attempted to explain why the play has held the stage for over a century. He believes that it is because every celebrated actress desires to play the role of Marguerite Gautier.

No woman has ever failed as Camille (the name later given the heroine in this country for no explicable reason). It is kept alive because it contains a very easy and celebrated part that every ambitious actress wants to play. La Dame aux camélias is brought back decade after decade, not by reason of the permanent importance of the suthor but by reason of recurrent aspirations of an ever-growing group of emotional actresses.

Among the famous actresses who have had successes as Camille were Eleanora Duse, Sarah Bernhardt and Greta Garbo, who starred in the 1937 film with Robert Taylor. Bernhardt first played the role in her thirties and continued it until a number of her 'farewell' tours when she was seventy and had only one leg.

Dumas had a relationship with a Russian princess in 1859. A daughter was born, but they did not acknowledge her as theirs until the princess was widowed. He continued to write material that shocked his contemporaries — eleven of his plays have illicit love as a theme — yet he was admitted to the Legion d'honneur. His wife died in 1895 and, after marrying his long-time mistress, he died that same year.

In 1929, the Chicago Civic Opera proced a new work, Camille by a young American composer, Hamilton Forrest, and commissioned by the famous soprano, Mary Garden. It was to be sung in French with a contemporary setting. After many delays, it finally opened to mixed reviews. Mary Garden was acclaimed, the music less so. One critic called it a masterpiece, another saw no future for it. It had a few more performances, and parts were broadcast on the radio; then it disappeared. Despite some recent attempts to revive interest in it, Camille is probably doomed to obscurity, while Verdi's La traviata continues to be one of the most popular and frequently performed operas.

茶花女》是法国亚历山大·仲马（Alexandre Dumas，年7月27日-1895年11月27日）的代表作，他为了与同为作家的父亲作区别，多称小仲马（Dumas, fils）。他本身是法国剧作家、小说家。《茶花女》是小仲马的代表作。 《茶花女》（La traviata）亦是朱塞佩·威尔第（Giuseppe Verdi）作曲的四幕歌剧。意大利文剧本由皮亚威（Francesco Maria Piave）编写，改编自亚历山大·仲马於1848年出版的小说《茶花女》（The Lady of the Camellias，La dame aux Camélias）。歌剧於1853年3月6日在威尼斯凤凰歌剧院（Teatro la Fenice）首演。作品名称「La traviata」解作「流浪的妇人」，或「失落的人」。 故事的原著小说，亦被改拍成电影《茶花女》（Camille）（1936）。《情陷红磨坊》（Moulin Rouge!）（2001）亦是以茶花女作蓝本改编。

剧本简介
剧本。法国小仲马作于1848年。巴黎名妓玛格丽特为青年阿尔芒的真挚爱情所感动，毅然离开社交生活，与阿尔芒同居乡间。阿尔芒之父责备玛格丽特毁了儿子的前程，玛格丽特被迫返回巴黎重操旧业。阿尔芒盛怒之下，在社交场合当众羞辱她。玛格丽特一病不起，含恨而死。阿尔芒读了玛格丽特的遗书，方知真相，追悔莫及。

作者简介
小仲马（1824~1895），19 世纪法国著名小说家、戏剧家。他的父亲是以多产闻名于世的杰出作家大仲马。在大仲马奢侈豪华而又飘浮不定的生活影响下，小仲马最初“觉得用功和游戏都索然寡味”。20岁时，他就结识了一些有夫之妇，过着纸醉金边的生活。另一方面，小仲马就热切地期望着自己也能像父亲一样，扬名于文坛。于是，他也开始从现实中取材，从妇女、婚姻等问题中寻找创作的灵感。

剧情详介
玛格丽特原来是个贫苦的乡下姑娘，来到巴黎后，开始了卖笑生涯。由于生得花容月貌，巴黎的贵族公子争相追逐，成了红极一时的“社交明星”。她随身的装扮总是少不了一束茶花，人称“茶花女”。
茶花女得了肺病，在接受矿泉治疗时，疗养院里有位贵族小姐，身材、长相和玛格丽特差不多，只是肺病已到了第三期，不久便死了。小姐的父亲摩里阿龙公爵在偶然发现玛格丽特很像他女儿，便收她做了干女儿。玛格丽特说出了自己的身世，公爵答应只要她能改变自己过去的生活，便负担她的全部日常费用。但玛格丽特不能完全做到，公爵便将钱减少了一半，玛格丽特入不敷出，到现在已欠下几万法郎的债务。
一天晚上10多钟，玛格丽特回来后，一群客人来访。邻居普律当丝带来两个青年，其中一个是税务局长迪瓦尔先生的儿子阿尔芒·迪瓦尔，他疯狂地爱着茶花女。
一年前，玛格丽特生病期间，阿尔芒每天跑来打听病情，却不肯留下自己的姓名。普律当丝向玛格丽特讲了阿尔芒的一片痴情，她很感动。玛格丽特和朋友们跳舞时，病情突然发作，阿尔芒非常关切地劝她不要这样残害自己，并向玛格丽特表白自己的爱情。他告诉茶花女，他现在还珍藏着她六个月前丢掉的纽扣。玛格丽特原已淡薄的心灵再次动了真情，她送给阿尔芒一朵茶花，以心相许。
阿尔芒真挚的爱情激发了玛格丽特对生活的热望，她决心摆脱百无聊赖的巴黎生活，和阿尔芒到乡下住一段时间。她准备独自一人筹划一笔钱，就请阿尔芒离开她一晚上。阿尔芒出去找玛格丽特时，恰巧碰上玛格丽特过去的情人，顿生嫉妒。他给玛格丽特写了一封措辞激烈的信，说他不愿意成为别人取笑的对象，他将离开巴黎。
但他并没有走，玛格丽特是他整个希望和生命，他跪着请玛格丽特原谅他，玛格丽特对阿尔芒倾述“你是我在烦乱的孤寂生活中所呼唤的一个人”。
经过努力，玛格丽特和阿尔芒在巴黎郊外租把一间房子。公爵知道后，断绝了玛格丽特的经济来源。她背着阿尔芒，典当了自己的金银首饰和车马来支付生活费用。阿尔芒了解后，决定把母亲留给他的一笔遗产转让，以还清玛格丽特所欠下的债务。经纪人要他去签字，他离开玛格丽特去巴黎。
那封信原来是阿尔芒的父亲迪瓦尔先生写的，他想骗阿尔芒离开，然后去找玛格丽特。告诉玛格丽特，他的女儿爱上一个体面的少年，那家打听到阿尔芒和玛格丽特的关系后表示：如果阿尔芒不和玛格丽特断绝关系，就要退婚。玛格丽特痛苦地哀求迪瓦尔先生，如果要让她与阿尔芒断绝关系，就等于要她的命，可迪瓦尔先生毫不退让。为阿尔芒和他的家庭，她只好作出牺牲，发誓与阿尔芒绝交。
玛格丽特非常悲伤地给阿尔芒写了封绝交信，然后回到巴黎，又开始了昔日的荒唐的生活。她接受了瓦尔维勒男爵的追求，他帮助她还清了一切债务，又赎回了首饰和马车。阿尔芒也怀着痛苦的心情和父亲回到家乡。
阿尔芒禁仍深深地怀念着玛格丽特，他又失魂落魄地来到巴黎。他决心报复玛格丽特的“背叛”。他找到了玛格丽特，处处给她难堪。骂她是没有良心、无情无义的娼妇，把爱情作为商品出卖。玛格丽特面对阿尔芒的误会，伤心地劝他忘了自己，永远不要再见面。阿尔芒却要她与自己一同逃离巴黎，逃到没人认识他们的地方，紧紧守着他们的爱情。玛格丽特说她不能那样，因为她已经起过誓，阿尔芒误以为她和男爵有过海誓山盟，便气愤地给玛格丽特写信侮辱她，并寄去了一叠钞票 玛格丽特受了这场刺激，一病不起。新年快到了，玛格丽特的病情更严重了，脸色苍白，没有一个人来探望她，她感到格外孤寂。迪瓦尔先生来信告诉她，他感谢玛格丽特信守诺言，已写信把事情的真象告诉了阿尔芒，现在玛格丽特唯一的希望就是再次见到阿尔芒。
临死前，债主们都来了，带着借据，逼她还债。执行官奉命来执行判决，查封了她的全部财产，只等她死后就进行拍卖。弥留之际，她不断地呼喊着阿尔芒的名字，“从她的睛里流出了无声的眼泪”。她始终没有再见到她心爱的人。 死后只有一个好心的邻居米利为她入殓。当阿尔芒重回到巴黎时，她把玛格丽特的一本日记交给了她。从日记中，阿尔芒才知道了她的高尚心灵。“除了你的侮辱是你始终爱我的证据外，我似乎觉得你越是折磨我，等到你知道真相的那一天，我在你眼中也就会显得越加崇高。”
阿尔芒怀着无限的悔恨与惆怅，专门为玛格丽特迁坟安葬，并在她的坟前摆满了白色的茶花。

E. 茶花女英文读后感！200字！

The Lady of the Camellias is a classic book that written by famous author called Alexandre Dumas. The story set in Paris. There are two main characters in this book, Marguerite Gautier and Armand Duval. Marguerite is a pretty and young courtesan, or kept woman.A courtesan can't have the true love. But she falls love with a young man, Armand. She tries to get away from her questionable past and lives with Armand forever. But when Armand's father, Madame Duval knows that his son is falling love with a courtesan, he separates them. After Armand finds that his father lied him, he goes back to Paris, but Marguerite dies painfully and alone.

I really enjoy this when i was reading it. Marguerite taught me a lot. To love someone is just let him or her be happy.Marguerite throws out the lord who can repays her all debts and lives with Armand.But when Armand's father reminds her that she is just a courtesan, she realized she can't be recognized in Armand's family, she will stain Armand's reputation. So she leaves him. Marguerite's love is unselfish. Her self-sacrifice saved Armand's reputation.

F. 求一篇《茶花女》的100字英文读后感

[作文 读《茶花女》有感]
墙角里钻出一朵茶花，作文 读《茶花女》有感。一个阴冷、黑暗、潮湿、没有阳光的墙角，糜烂是它的养料。然而，这茶花却比别的茶花，甚至别的任何一种花都美丽，美得脱俗，美得惊人，美得如痴如醉。可凡是花都是向往阳光的。努力、再努力一点，在茶花碰触到阳光那一刹那，在它因阳光的滋润而娇艳欲滴的那一刹那，无情的风折断了花枝，让它又倒在了阴冷的角落，无力再爬起，再去触摸那伸手可及的阳光。上帝是仁慈的，为了弥补命运对它的不公，没让它凋零后再死，而是让它保持着美貌离开了世间。
《茶花女》这本书我好久以前曾粗略地读过，当时也没有什么特别的感触。而当我再次拿起这本书耐心品读，却发现它是多么好的一个作品。读过后仿佛自己的心灵也下过一场雨，那些杂乱的世俗的东西被荡涤过后，显得无比清新和纯净。
《茶花女》真实生动地描写了一位外表与内心都像白茶花那样纯洁美丽的少女被摧残致死的故事。主人公玛格丽特是个农村姑娘，长得异常漂亮；她来巴黎谋生，不幸做了妓女。富家青年阿芒赤诚地爱她，引起了她对爱情生活的向往。但是阿芒的父亲反对这门婚事，迫使她离开了阿芒。阿芒不明真相，寻机羞辱她，终於使她在贫病交加之中含恨死去。玛格丽特的爱情悲剧故事就是这样的。一介弱质女流在放荡且无目的的生命中找寻到了真爱，为此放弃了自己习以为常的大量物质享受，放弃了一切能使自己暂时快乐的糜烂生活习惯，只为求能和最爱的人呆在一起，初中一年级作文《作文 读《茶花女》有感》(http://www.unjs.com)。要从深陷的泥潭中爬出来，是要花很大的力气和决心的，况且还要使自己最小程度地被泥水污染。玛格丽特做到了，而且做的非常出色。可如此巨大的付出，换回的仍是人们的不理解和排挤，还有自私的人们的恶意中伤。巨大的阻力最终还是使玛格丽特和爱人分开了，误会使最爱的人再自己最需要安慰的时候羞辱她，这是何等痛苦的事情？也许真的只有死亡可以拯救她。是的，玛格丽特死了，孤独的死去，再也没了活着时的奢华，以前无数的情人也忘了她。生前的生活愈是轰动，死的时候就愈是冷清。
我读懂了她当时的痛苦、无助和绝望，更知道她的牺牲就是自己一生地幸福。可是她没有后悔，在杜瓦先生轻轻亲吻她额头的时候，她激动无比，她情愿用自己的全部幸福去换取另一个女孩的体面婚姻。在那一刻，我也被她那种伟大的纯洁的爱感动了。我感到她像一位天使，虽然眼中饱含着泪水。
任何人都可能有一个纯洁的心灵，虽然有些人没有多好的社会地位，没有财富，可是只要他拥有一颗纯洁的心灵就会获得内心的满足和感动。
故事的结尾阿芒怀着无限的悔恨与惆怅，专门为玛格丽特迁坟安葬，并在她的坟前摆满了白色的茶花。在那一丛丛纯洁的白茶花里，我依稀看到公玛格丽特那依旧美丽的笑容……
感谢小仲马塑造了茶花女这样一个可悲却又可敬的美丽女子。然而，希望那已死去的花朵再次从泥土中萌芽、重生的时候，远离那阴暗的墙角，能每天和阳光为伴，即使不再那么美丽，也不要重复前世的悲剧。

G. 茶花女中英文佳句

1. 茶花女中的好句子要英文的20个

1)Eliza Doolittle: I sold flowers; I didn't sell myself. Now you've made a lady of me, I'm not fit to sell anything else.

杜利特尔：我卖花，但我不卖自己。现在你把我变成了淑女，我就不适合再卖任何其他东西了。

2)Anyone can spot an lrishman or a Yorkshireman by his brogue。。but I can place a man within six miles.

3)I can place 'im within two miles in London. Sometimes within two streets.

4)Your native language is the language of Shakespeare and。。Milton and the Bible. Don't sit there crooning like a bilious pigeon.

5)'"The French don't care what they do actuall ''"As long as they pronounce it properly

6)In six months, I could pass her off as a chess at an Embassy Ball.

7)So here I am, a confirmed old bachelor and likely to remain so.

8)'"You'll be sorry But your tears will be too late

9)You wouldn't care if I was dead.I'm nothing to you.Not as much as them slippers.

10)I can do without anyone.I have my own soul!

2. 茶花女的50个经典的英文句子

罗切斯特：Jane.简。

简：Do you think, because I am poor,obscure,plain,and little,I am soulless and heartless?You think wrong!-I have as much soul as you-and full as much heart!And if God had gifted me with some beauty and much wealth,I should have made it as hard for you to leave me,as it is now for me to leave you. I am not talking to you now through the medium of custom,conventionalities,nor even of mortal flesh:it is my spirit that addresses your spirit;just as if both had passed through the grave,and we stood at God's feet,equal-as we are！ [译文] 你以为我穷，低微，不漂亮，我就没有灵魂没有心吗？你想错了！ 我和你一样有灵魂，有一颗完整的心！要是上帝赐予我一点姿色和充足的财富，我会使你难以离开我就如同我现在难以离开你一样，我现在不是依据习俗、常规，甚至也不是通过血肉之躯同你说话，而是我的灵魂同你的灵魂在对话，就仿佛我们两人穿过坟墓，站在上帝脚下，彼此平等—— 本来就如此！” 简：Let me go, sir.让我走，先生。 罗切斯特：I love you. I love you！我爱你。

我爱你！ 简：No, don''t make me foolish.别，别让我干傻事。 罗切斯特：Foolish? I need you. What''s Blanch to me? I know what I am to her. Money to manure her father''s land with. Marry me, Jane. Say you marry me.傻事？我需要你，布兰奇（英格拉姆小姐）有什么？我知道我对她意味着什么，是使她父亲的土地变得肥沃的金钱。

嫁给我，简。说你嫁给我。

简：You mean it？你是说真的？ 罗切斯特：You torture me with your doubts.Say yes,say yes(He takes hersintoshis arm and kisser her.)God forgive me.And let no men meddle with me.She is mine.Mine.你的怀疑折磨着我，答应吧，答应吧。（他把她搂在怀里，吻她。）

上帝饶恕我，别让任何人干涉我，她是我的，是我的。 After Jane finds out Mr. Rochester has an insane wife. 简发现罗切斯特先生有个精神失常的妻子之后。

罗切斯特：So come out at last. You shut yourself in your room and grieve alone. Not one word of reproach.Nothing.Is that to be my punishment? I didn''t mean to wound you like this. Do you believe that?I wouldn''t hurt you not for the world.What was I to do? Confess everything I might as well have lost my life.总算出来了。你把自己关在房间里一个人伤心。

一句责难的话也没有。什么都没有。

这就是对我的惩罚？我不是有心要这样伤你，你相信吗？我无论如何也不会伤害你，我怎么办？都对你说了我就会失去你，那我还不如去死。 简：You have lost me, Edward.And I''ve lost you.你已经失去我了，爱德华。

我也失去了您。 罗切斯特：Why did you say that to me? To punish me a little longer？ 为什么跟我说这些？继续惩罚我吗？ 简，Jane, I''ve been though! For the first time I have found what I can truly love. Don''t take if away from me.我已经受够了！我生平第一次找到我真正的爱，你不要把她拿走。

简：I must leave you.我必须离开您。 【罗切斯特求婚】 罗切斯特先生： Jane,Jane， 简，简， strange， 真奇怪， It's almost 。

. 这好象是上天安排的， I love as my own flesh， 我觉得你好象和我心血相连， 简： Don't mock. 别开玩笑了。 罗切斯特先生： What love have I for Branch？ 我和布兰奇完了。

Now I want you， 现在我要你， Jane,quickly say， 简，快说， say "I'll marry you." 说：我要嫁给你。 say 说 简： I can't see your face， 我看不见你的脸。

罗切斯特先生： say,quickly， 说，快说。 say:Edward,I'll marry you. 说：爱德华，我要嫁给你。

简： Edward,I'll marry you. 爱德华，我要嫁给你。 罗切斯特先生： God ,pardon me. 上帝，原谅我。

3. 《茶花女》佳句

1、My dear ,for the hurt you sought to do me was is your good opinion.你想给我制造的痛苦只是你对我爱情的证明。

2、Men, instead of being content with being freely given for long periods what they hardly dared hope to get once, are forever asking their mistresses for an account of the present, the past and even the future. As they get used to a mistress, they try to dominate her, and they become all the more demanding the more they are given.男人们总是这样的，一旦他们得到了他们原来难以得到的东西，时间一长，他们又会感到不满足了，他们进而要求了解他们情人的目前、过去、甚至将来的情况。在他们逐渐跟情人熟悉以后，就想控制她，情人越迁就，他们就越得寸进尺。

3、Life is no more than the repeated fulfilling of a permanent desire.The soul is merely the vestal handmaid whose task is to keep the sacred flame of love burning.人生只不过是为了满足不断的欲望。灵魂只不过是维持爱情圣火的守灶女神。

4、.Wholly pure sentiments are to be found only in women who are wholly chaste.只有真正贞洁的女人才会有真正纯洁的情感。5、True love always makes a man finer,whatever sort of woman inspires it.真正的爱情总是使人变得美好，不管激起这种爱情的女人是什么样的人。

6、When your life has become so dependent on a habit as strong as our habit of loving,it hardly seems possible that the habit can be broken without also demolishing everything else which buttresses your life.当爱情成立生活中的一部分时，要想摆脱掉而又不损害生活的其他方面，似乎是不可能的。

4. 《茶花女》中的好词好句有哪些

一 好词

1. 应接不暇：原形容景物繁多，来不及观赏。后多形容来人或事情太多，应付不过来。

2 . 面无血色：脸色象泥土一样，形容极端惊恐。比喻失望，或羞愧。

3 . 得寸进尺：比喻贪心不足，有了小的，又要大的。

4 . 绝代才子

5 . 庸俗不堪

6 . 穷奢极侈：形容挥霍浪费，荒淫腐化。

7 . 不落窠臼：比喻有独创风格，不落旧套。

8 . 饶有兴趣：令人感到很有趣，并十分注意。

9 . 耳濡目染：耳朵经常听到，眼睛经常看到，不知不觉地受到影响。

10 . 形影不离：形容彼此关系亲密，经常在一起。

二 好句

1 . 获取一颗没有被人攻击的经验的心，也就像夺取一座没有守卫的城池一样。

2 . 我的心，不习惯幸福。也许，活在你心里更好，在你心里，世界就看不到我了。

3 . 头脑是狭小的，而他却隐藏着思想，眼睛只是一个小点，他却能环视辽阔的天地。

4 . 你想给我制造的痛苦只是你对我爱情的证明。

5 . 我们一定是前世作孽过多，再不就是来生将享尽荣华，所以上帝才会使我们这一生历尽赎罪和磨练的煎熬。

6 . 除了你的侮辱是你始终爱我的证据外，我似乎觉得你越是折磨我，等到你知道真相的那一天，我在你眼中也就会显得越加崇高。

7 . 我的心，不习惯幸福。

8 . 也许我活在你的心中，是最好的地方，在那里别人看不到我，没有人能鄙视我们的爱情。

9 . 我认为只有深刻地研究过人，才能创造出人物，如同只有认真地学习了一种语言才能讲它一样。

10 . 一个人心中没有爱情的时候可以满足于虚荣，但一旦有了爱情，虚荣就变得庸俗不堪了。

《茶花女》是法国作家亚历山大·小仲马创作的长篇小说，也是其代表作。故事讲述了一个青年人与巴黎上流社会一位交际花曲折凄婉的爱情故事。[1]

作品通过一个妓女的爱情悲剧，揭露了法国七月王朝上流社会的糜烂生活。对贵族资产阶级的虚伪道德提出了血泪控诉。在法国文学史上，这是第一次把妓女作为主角的作品。

创作背景

《茶花女》就是根据小仲马亲身经历所写的一部力作，这是是发生在他身边的一个故事。小仲马出生于法国巴黎，他的母亲卡特琳娜·拉贝是一个贫穷的缝衣女工，他的父亲大仲马当时只是一个默默无闻的抄写员，后来在戏剧创作和小说创作领域取得了巨大成就，成为法国十九世纪浪漫主义文学运动中的重要代表。随着社会地位和经济条件的不断改变，他的父亲大仲马越来越瞧不起缝衣女工卡特琳娜·拉贝。他混迹于巴黎的上流社会，整日与那些贵妇人、女演员厮混在一起，把小仲马母子俩忘得一千二净。可怜的缝衣女工只好一个人起早贪黑辛苦劳动，勉强维持母子两人的生计。小仲马七岁的时候，父亲大仲马通过打官司从卡特琳娜·拉贝手中夺取了对儿子的监护权，而那位勤劳善良的缝衣女工则就此失去了自己一手养大的儿子，重新成为一个孤苦伶仃的人。这使小仲马从小体验到了人世间的残酷和不平。使得小仲马热切地期望着自己也能像父亲一样，扬名于文坛。于是，他也开始从现实中取材，从妇女、婚姻等问题中寻找创作素材。《茶花女》就是根据他亲身经历所写的一部力作。这是是发生在小仲马身边的一个故事。1844年9月，小仲马与巴黎名妓玛丽·杜普莱西一见钟情。玛丽出身贫苦，流落巴黎，被逼为娼。她珍重小仲马的真挚爱情，但为了维持生计，仍得同阔佬们保持关系。小仲马一气之下就写了绝交信去出国旅行。1847年小仲马回归法国，得知只有23岁的玛丽已经不在人世，她病重时昔日的追求者都弃她而去，死后送葬只有两个人！她的遗物拍卖后还清了债务，余款给了她一个穷苦的外甥女，但条件是继承人永远不得来巴黎！现实生活的悲剧深深地震动了小仲马，他满怀悔恨与思念，将自己囚禁于郊外，闭门谢客，开始了创作之程。一年后，当小仲马24岁时，写下了这本凝集着永恒爱情的《茶花女》。名妓玛丽·杜普莱西向往上流社会生活，和小仲马母亲卡特琳娜·拉贝被大仲马抛弃，同时反映当时资本主义制度下的拜金现象，批判当时资本主义的黑暗。

参考资料

网络.网络[引用时间2018-1-23]

5. 茶花女中的经典句子

1.“头脑是狭小的，而他却隐藏着思想，眼睛只是一个小点，他却能环视辽阔的天地。”

——《茶花女》 2.“我不够富，不能像我希望的那样爱你；我也不够穷，不能像你希望的那样被你爱。让我们彼此忘却----你是忘却一个对你说来相当冷酷的姓名，我是忘却一种我供养不起的幸福。”

——《茶花女》 3.“获取一颗没有被人攻击的经验的心，也就像夺取一座没有守卫的城池一样。”——《茶花女》 4.“这些女人生前考究的生活越是闹得满城风雨，她们死后也就越是无声无息。

她们就像某些星辰，陨落时和初升时一样黯淡无光。”——《茶花女》 5.“你想给我制造的痛苦只是你对我爱情的证明。”

——《茶花女》 6.“世界上最遥远的距离不是生与死而是我就站在你面前你却不知道我爱你；世界上最遥远的距离不是我就站在你面前你却不知道我爱你，而是明明知道彼此相爱却不能够在一起；世界上最遥远的距离不是明明知道彼此相爱却不能够在一起而是明明无法抵挡这股相爱的气息却不能够不继续。”——《茶花女》 7.“除了你的侮辱是你始终爱我的证据外，我似乎觉得你越是折磨我，等到你知道真相的那一天，我在你眼中也就会显得越加崇高。”

——《茶花女》。

6. 求《茶花女》中的一段原话 ,我要英文的

So, had someone said to me: 'You shall have this woman tonight and tomorrow you shall be put to death', I would have accepted. Had I been told: 'Give her ten Louis and she's yours', I should have refused and wept like a child who sees the castle which he had glimpsed ring the night vanish as he wakes. 自己翻译语序不一样 有一点差别。

7. 《茶花女》中的经典语句

1、My dear ,for the hurt you sought to do me was is your good opinion. 你想给我制造的痛苦只是你对我爱情的证明。

2、Men, instead of being content with being freely given for long periods what they hardly dared hope to get once, are forever asking their mistresses for an account of the present, the past and even the future. As they get used to a mistress, they try to dominate her, and they become all the more demanding the more they are given. 男人们总是这样的，一旦他们得到了他们原来难以得到的东西，时间一长，他们又会感到不满足了，他们进而要求了解他们情人的目前、过去、甚至将来的情况。在他们逐渐跟情人熟悉以后，就想控制她，情人越迁就，他们就越得寸进尺。

3、Life is no more than the repeated fulfilling of a permanent desire.The soul is merely the vestal handmaid whose task is to keep the sacred flame of love burning. 人生只不过是为了满足不断的欲望。灵魂只不过是维持爱情圣火的守灶女神。

4、.Wholly pure sentiments are to be found only in women who are wholly chaste. 只有真正贞洁的女人才会有真正纯洁的情感。 5、True love always makes a man finer,whatever sort of woman inspires it. 真正的爱情总是使人变得美好，不管激起这种爱情的女人是什么样的人。

6、When your life has become so dependent on a habit as strong as our habit of loving,it hardly seems possible that the habit can be broken without also demolishing everything else which buttresses your life. 当爱情成立生活中的一部分时，要想摆脱掉而又不损害生活的其他方面，似乎是不可能的。

8. 请教一下《茶花女》8个好句

“爱情，是多么高尚的幼稚行为！”“我的心，不习惯幸福。

也许，活在你心里更好，在你心里，世界就看不到我了 .”“或许我还活在你的心中，是最好的地方，在那里别人是看不见的，没有人能鄙视我们的爱情。”“获取一颗没有被人进攻的经验的心，也就像夺取一座没有守卫的城池一样。”

“头脑是狭小的，而他却隐藏着思想，眼睛只是一个小点，他却能环视辽阔的天地。””“一个人不管做了什么，跌倒以后是永远也爬不起来了！天主也许会原谅您，可是世人却是毫不宽容的啊！” “如今这年头，人一到二十五岁，就不会轻易落泪了，眼泪变成极为稀罕之物，就不可能为随便一个女子抛洒，顶多哭哭双亲，那也是与他们养育时付出相等值。”

“可怜的女人啊！如果爱她们是一种过错的话，那么至少总该同情她们。你们同情从未见过阳光的盲人；同情从未聆听过大自然和谐之音的聋子，也同情从未能表达心声的哑巴，而你们却在廉耻的虚假借口下不肯同情令不幸的女人发疯的这种心窍的盲、灵魂的聋和意识的哑，须知正是这些障碍，她们才处于无奈之中，看不到善，听不见上帝的声音，也讲不出爱与信仰的纯洁话语。”

“我确信这样一条原则，对于没有受过善的教育的女人，上帝几乎总是开辟两条小路，引她们进入，即痛苦之路和爱情之路。两条路都很艰难，她们走在上面，双脚要扎出血，双手要划破，但是她们在路旁的荆棘上，同时也留下罪孽的装饰物，赤条条地到达目的地：这样赤条条来到上帝面前，她们自不必羞愧。”

“所有聪明睿智的人，都朝着同一目标努力，一切伟大的意志，也都遵从同一原则：我们要善良，要保持青春，要真诚！”“恶行只是一种虚荣，我们要有行善的自豪，尤其不能失去希望。我们不要鄙视非母亲、女儿，又非妻子的女人。

我们也不要减少对家庭的敬重、对自私的宽容。既然上天看到一个痛悔的罪人，比看到一百位从不犯罪的义人还要高兴，那么我们就尽量讨上天的喜欢吧。

上天会加倍偿还给我们的。我们在行走的路上要把我们的宽恕，施舍给那些被尘世的欲望所毁掉的人，神圣的希望也许能拯救他们，正如好心肠的老妇劝人用她们的药方所讲的，试试看，不见效也没有害处。”

“我们这些男人就是这样，总喜欢让想象把这种诗意留给感官，让肉体的欲望让位于灵魂的梦想。”。

9. 茶花女中的好词好句

茶花女好词好句 好词摘抄： 坐失良机、相形见绌、恬不知耻、绝代佳人、目不暇接、穷奢极侈、不落窠臼 饶有兴趣、耳濡目染、形影不离、天真无邪、容光焕发、琳琅满目 好句摘抄： 1、在一张流露着难以描绘其风韵的鹅蛋脸上，嵌着两只乌黑的大眼睛，上面两道弯弯细长的眉毛，纯净得犹如人工画就的一般，眼睛上盖着浓密的睫毛，当眼帘低垂时，给玫瑰色的脸颊投去一抹淡淡的阴影；细巧而挺直的鼻子透出股灵气，鼻翼微鼓，像是对情欲生活的强烈渴望；一张端正的小嘴轮廓分明，柔唇微启，露出一口洁白如奶的牙齿；皮肤颜色就像未经人手触摸过的蜜桃上的绒衣：这些就是这张美丽的脸蛋给您的大致印象。

2、因为我怕我的自尊心会再一次激起我的倔脾气，而我身边又不宽裕，我请他们记下我的姓名，把书留在一边，就下了楼。那些目击者肯定对我作了种种猜测，他们一准会暗暗思忖，我花一百法郎的高价来买这么一本书究竟是为了什么，这本书到处都可以买到，只要花上十个法郎，至多也不过十五个法郎。

3、我默默地混进了这堆纷乱的人群。我在想，这情景发生在这个可怜的女人咽气的卧室近旁，为的是拍卖她的家具来偿付她生前的债务，想到这里，心中不免感到无限惆怅。

我与其说是来买东西的，倒不如说是来看热闹的，我望着几个拍卖商的脸，每当一件物品叫到他们意料不到的高价时，他们就喜笑颜开，心花怒放。 4、我永远也忘不了这个年轻的姑娘，她每天几乎总是在同一时刻走过大街。

她的母亲每时每刻都陪着她，就像一个真正的母亲陪伴她真正的女儿那般形影不离。那时候我还年轻，很容易沾染上那个时代道德观念淡薄的社会风尚，但是我还记得，一看到这种丑恶的监视行为，我从心底里感到轻蔑和厌恶。

5、我注意到，自从上次去公墓看到了那个使他突然发病的场面以来，他精神上的痛苦仿佛已被疾病替代了，对于玛格丽特的死，他的想法和过去不一样了。他对玛格丽特的死已经确信无疑，心中反而感到轻松，为了驱走经常出现在他眼前的阴暗的形象，他一直在追忆跟玛格丽特交往时最幸福的时刻，似乎他也只愿意回忆这些事情。

6、一天，在我去警察局领取护照的时候，瞥见邻街有两个警察要押走一个姑娘。我不知道这个姑娘犯了什么罪，只见她痛哭流涕地抱着一个才几个月大的孩子亲吻，因为她被捕后，母子就要骨肉分离。

从这一天起，我就再也不轻易地蔑视一个女人了。 7、已经是四月份了，天气晴朗，阳光明媚，坟墓不再像冬天时那样显得阴森凄凉了。

总之，气候已经相当暖和，活着的人因此想起了死去的人，就到他们坟上去扫墓。我在去公墓的路上想着，我只要观察一下玛格丽特的坟墓，就可以看出阿尔芒是不是还在伤心，也许还会知道他现在究竟怎么样了。

8、我觉得我同伴的胳膊在不停地抽搐，像是有一股寒流突然穿过他的全身。因此，我瞧瞧他，他也懂得了我目光的含义，对我微笑了一下。

可是从他家里出来后，我们连一句话也不曾交谈过。 9、我简直不敢回答，因为他讲这句话的声调说明他的心情还是非常痛苦，就像我上次看到他的时候一样。

每当他自己的思想或者别人的谈话触及这个使他伤心的话题时，他那激动的心情会有很长一段时间不能自持。 10、靠墙放着一张三尺宽、六尺长的大桌子，奥科克和奥迪奥⑤制造的各种各样的珍宝在桌子上闪闪发光，真是琳琅满目，美不胜收。

这上千件小玩意儿对于我们来参观的这家女主人来说，是梳妆打扮的必备之物，而且没有一件不是用黄金或者白银制成的。 11、玛格丽特却不落窠臼，她总是独个儿坐车到香榭丽舍大街去，尽量不招人注意。

她冬天裹着一条开司米大披肩，夏天穿着十分淡雅的长裙。在这条她喜欢散步的大道上尽管有很多熟人，她偶尔也对他们微微一笑，但这是一种只有公爵夫人才有的微笑，而且也唯有他们自己才能觉察。

12、随着时光的流逝，如果不能说是我逐渐地忘了她，那就是她给我的印象慢慢地淡薄了。我外出旅游，和亲友往来，生活琐事和日常工作冲淡了我对她的思念。

即使我回忆起那次邂逅，也不过把它当作是一时的感情冲动。这种事在年幼无知的青年中是常有的，一般都事过境迁，一笑了之。

13、所有花街柳巷的名媛都到场了，有几个贵妇人在偷偷打量她们。这一次她们又可以借着参加拍卖的名义，仔细瞧瞧那些她们从来没有机会与之共同相处的女人，也许她们私下还在暗暗羡慕这些女人自由放荡的享乐生活呢。

14、他丝毫没有责备玛格丽特，他也没有权利责备她，但是他对玛格丽特说，如果她觉得可以改变一下她那种生活方式的话，那么作为她的这种牺牲的交换条件，他愿意提供她所需要的全部补偿。玛格丽特答应了。

15、为什么我们要比基督严厉呢？这个世界为了要显示它的强大，故作严厉，我们也就顽固地接受了它的成见。为什么我们要和它一样丢弃那些伤口里流着血的灵魂呢？从这些伤口里，像病人渗出污血一样渗出了他们过去的罪恶。

这些灵魂在等待着一只友谊的手来包扎他们的伤口，治愈他们心头的创伤。 16、我不由自主地关心起这个年轻人来了。

这种关心也许搀杂着某些私心，说不定在他这种痛苦下，我已揣测。

H. 茶花女用英语怎么说

《茶花女》(中文袭)

《The Lady of the Camellias》(英文)

《La dame aux Camélias》 (法文)

《茶花女》是法国亚历山大·仲马（Alexandre Dumas，1824年7月27日-1895年11月27日）的代表作，他为了与同为作家的父亲作区别，多称小仲马（Dumas, fils）。他本身是法国剧作家、小说家。《茶花女》是小仲马的代表作。

I. 求《茶花女》、《西游记》的英文读后感100字左右就OK了、初中水平、谢谢

西游记
当我翻开《西游记》时，总有不同的心情。它在四大名著中，是最生动活泼的，小时候的我读起它来总觉得既过瘾又有趣。但今时今日，不变的是那光怪陆离，色彩斑斓的神话世界，我的领悟却变了。
这是一部所有人都爱读的经典大作，每个人都能在解读它时获取不同的感觉和启示，有人喜欢它鲜明的人物个性；有人喜欢它瑰丽的整体形象；有人喜欢它活泼诙谐的对话旁白；有人还研究它的历史背景、社会现象。但在我看来，他那曲折的情节中暗藏着人们渴望而不可及的生活理想和人性追求，那就是——自由。
在经历了日复一日个性受约束的日子，廿一世纪的人们都格外向往自由，向往那个自由的化身：孙悟空。孙悟空破土而出，“不伏麒麟辖，不服凤凰管，又不服人间王位所约束”，闯龙宫，闹冥司，自花果山上目在称王。可以说已经达到人性摆脱一切束缚，彻底自由的状态。孙悟空其实就是自由的化身，他的品质中最突出的就是向往自由，他始终在追求自由，它的一切斗争也是为了争取自由。这样一个鲜活的形象给予了读者一种追求自由，追逐自由的力量和勇气。 然而，每个人都明白， 在现在，即使是将来，完全的自由终究是不可能的，人始终要受到这般那般的约束。尽管包围着我们的是个受约束的世界，但我们可以让内心尽量变得广阔而幽深，让它能够无边无际、包容天地。
然而，目前社会上还有许多人被一些价值不大的东西所束缚，却自得其乐，还觉得很满足。经过几百年的探索和发展，人们对物质需求已不再迫切，但对于精神自由的需求却无端被抹杀了。总之， 我认为现代人最缺乏的就是一种开阔进取， 寻找最大自由的精神。
在厉尽时间锤炼的《西游记》中，竟深深蕴含着新世纪人们最渴望的自由精神……我更明白为什么它能够传承至今了。

J. 《茶花女》英文简介

原文贴不上来，请见以回下网答址
http://jssgallery.org/Letters/Notes/Lady_of_the_Camellias.htm