致命紫罗兰044

Ⅰ 要动漫致命紫罗兰编号044的片头曲

很遗憾，现在它的完整版《Guilty Plasure》的单曲还未发售，也没有试听版或流出版，所以没法听到完整版的。

Ⅱ 致命紫罗兰编号044的介绍

《致命紫罗兰编号044》是由出崎统监督的电视剧，原作是由米拉·乔沃维奇主演的好莱坞电影《致命紫罗兰》。以电影十几年后的世界为舞台，描写了因为遗传因子突变而成为最强战士的女主角044的故事。

Ⅲ 致命紫罗兰044女主角最后为什么坐轮椅

她是克隆人，特工，用了一种病毒能使自己变强，但是有副作用。后面做轮椅因为身体不行了。要挂了！

Ⅳ 朴璐美的所有配音角色（海贼王里有没有她配的啊）

有的，但是只是跑龙套啦~~~
海贼王 （哈里）
其他的所有的话~~~~~
TV作品
1998年：
机动神脑 （卡南·吉莫斯） #出道作 名侦探柯南 （宫崎千夏） 1999年： 金田一少年之事件簿 （二之宫朋子） 机动战士高达逆A （罗兰·萨艾克） 2000年： 小魔女DoReMi# （魔女兰） 数码兽大冒险02 （一乘寺贤） 2001年： i-wish you were here （タオ） 学园战记 （守山那由多） 人造人009 THE CYBORG SOLDIER （密） 通灵王 （道莲） パチスロ贵族 银 （音无英子(叔母)） 宠物小精灵 （ツリオ） 小魔女Doremiどれみ！ （刘向明、刘浩荣） 2002年： 猴王 五九 （ラリートム） 小魔女Doremi 大合奏！ （魔女兰、芭芭） 机动战士高达SEED （ニコル·アマルフィ(スペシャルエディション） 银河天使A （ツル） 闪灵二人组 （笕十兵卫(童年)） 手鞠
周刊宠物小精灵放送局 （ジロー） 数码兽最前线 （托利鲁兽） 天地无用! GXP （科玛琪） 驭龙少年 （大空零士） 火影忍者 （手鞠） 萩萩公主 （ウィリの乙女） 贝克拉 （ラビさん） ホームムービーズ（ポーラ·スモール、ペリー） 名侦探柯南 （海原サヨリ） 翼神传说 （一色真(童年)） 鲁邦三世 EPISODE:0 ファーストコンタクト（エリナ） 海贼王 （哈里） 2003年： 妮嘉寻亲记 （アラン） 宇宙星路 （ナジマ·ゲブール、片濑真人） 爱德华·艾尔力克
空霸 （相川摩季） 时间之碎片 （姬宫梓(圆梓)） 兽兵卫忍风贴 龙宝玉篇 （飞砾） 钢之炼金术师 （爱德华·艾尔利克、阿姆斯特朗少佐的母亲） 暗与帽子与书之旅人 （格尔刚裘亚 (童年） 魔侦探洛基 （东山和实/海姆达尔） 2004年： SD高达Force （修度） 爱丽丝学园 （日向枣、今井萤的母亲） 七武士 （冈本胜四郎） ティーモ·シュプリーモ（キャプテン·クランドル） 日向枣
哈姆太郎 （みみよりくん） 怪医黑杰克 （幸男） BLEACH（日番谷冬狮郎） 2005年： 植木的法则 （植木耕助） 我的主人爱作怪 （中林诚一郎） 创圣大天使 （クルト·クーリック、クロエ·クーリック） BLOOD+ （クララ） 舞-乙HiME （アスワドのおばあさん、男子） 魔豆传奇熊猫历险记 （クール） 日番谷队长~~~
MONSTER （ヘレーネ） 2006年： 我的女神2:缤纷之翼 （川西仙太郎） 无罪的维纳斯 （ヒジン） 玻璃舰队 （疾风克雷奥(少年时)） 兽王星 （卡玲） ZEGAPAIN -ゼーガペイン-（マオ·ルーシェン） NANA （大崎娜娜） 公主公主 （四方谷裕史郎） 宠物小精灵AG （ジロー） 2007年： 大江户火箭 （お伊势） 大剑 （迪妮莎） GR-GIANT ROBO-(铁甲人) （アレックス·マッケンジー） NANA~~
紫音之王 （斋藤步） 美型侦探 （古贺幸太） 面包超人 （クロワッサン王子） Devil May Cry （埃琳娜·休斯顿） 电脑线圈 （原贤） 火影忍者疾风传 （手鞠） 蓝龙 （佐拉） 魔人侦探食脑奈罗 （怪盗X） 枫叶物语 （ギル） 棒球大联盟第3季 （清水大河） 2008年： 机动战士高达00 （雷杰尼·雷杰塔） Yes!光之美少女5GoGo! （史洛普） 天月 （朽叶） 恶作剧之吻 （入江裕树） 海马 （ポポ） ULTRAVIOLET Code044(致命紫罗兰 编号044) （044） 鹡鸰女神 （鸦羽） 黑冢 （黑蜜） 黑执事 （安洁莉娜·达雷斯） 志麻贺津纪(勾起我伤心的回忆)
棒球大联盟第4季 （清水大河） Clannad～After Story～（志麻贺津纪） 亡念之扎姆德（库吉雷卡） 2009年： 神幻拍档 (威达） 白色相簿第一期&第二期 （筱冢弥生） 钢之炼金术师FA （爱德华·艾尔利克） 钢之炼金术师FA（真理） RIDE BACK （片冈珠代） 黑塔利亚（瑞.士） 侍战队真剑者（薄皮太夫）（此作为特摄，薄皮太夫曾经的人类形态薄雪则由朴璐美本人出演） 战国basara（上杉谦信） 胡子小鸡（胡子小鸡） 狼与香辛料II（弗露露·布朗） 苍天航路（貂蝉） 战斗司书（哈缪丝） 神幻拍档(07-ghost）（维达） 青之文学 人间失格（恒子） 空中秋千（伊良部（少年） 古代少女dogoo酱 (土偶) 2010年 鲁邦三世-the last job（摩耶） RAINBOW 二舎六房的七人（前田升） 战国basara第二季（上杉谦信） 鹡鸰女神～Pure Engagement（鸦羽） 2011年 美食的俘虏（小松） 金钢狼 （雪绪） 死囚乐园（五十岚丸太） 女神异闻录4（白钟直斗）
OVA
-Macross Zero（凯特） -BLEACH OVA（日番谷冬狮郎） - 盗贼王JING in Seventh Heaven 2（ミント） - 小魔女Doremi童年秘密篇（市川小雪（若き日のばあや） - 新盖特机器人（源赖光） - 钢之炼金术师 PREMIUM COLLECTION（爱德华·艾尔利克） - 新·北斗之拳（ドーハ（ビスタ） - 杀戮公主/虐杀姬（珐莉斯） - 创星大天使 （クルト·クーリック、クロエ·クーリック） - 胡子小鸡 （ヒゲぴよ）（胡子小鸡）
剧场版
- yes!光之美少女5GoGo!点心之国的快乐生日? （史洛普） - 剧场版 创圣大天使 （クルト·クーリック、クロエ·クーリック） - 新暗行御史（摩利(マーリ） - 剧场版 钢之炼金术师 香巴拉的征服者（爱德华·艾尔利克） - 剧场版 机动战士高达逆A I 地球光（罗兰·萨艾克） - 剧场版 机动战士高达逆A II 月光蝶（罗兰·萨艾克） - 数码兽大冒险02 超恶魔兽的反击 （一乘寺贤） - 火影忍者疾风传 鸣人之死！（手鞠） - BLEACH 剧场版－Memories of Nobody（日番谷冬狮郎） - BLEACH 剧场版2－钻石星尘的反叛 另一个冰轮丸 （日番谷冬狮郎） - BLEACH 剧场版第三弹—呼唤君之名（日番谷冬狮郎） - High Lander(中文译名：时空奇兵） （ダリア） - VEXILLE 2077日本锁国 （タカシ） - HELLS ANGELS（りんねママ） - 火影忍者疾风传剧场版--火之意志继承者（手鞠） -机动战士高达seed特别篇《虚空的战场》，《遥远的拂晓》（尼高尔） -口袋妖怪剧场版--幻影的霸者佐罗亚库（佐罗亚库）
偶最印象深刻的还是爱德华和NANA啦~~~朴MM配男的女的都很有爱啊~~~

Ⅳ 致命紫罗兰 编号044怎么样

高中看的了 那时候都看不懂啊 可能现在也看不懂。。反正就是喜欢这类刺激的电影

Ⅵ 日本现在有没有7月新番啊如果有，是什么啊

中文名称：致命紫罗兰 编号044 作品原名：ウルトラヴァイオレット:Code044 开播日期：2008年7月1日 动画类别：TV版 【故事介绍】 044是经由操纵遗传因子而获得超群战斗能力的最强女战士。然而获得力量所换来的代价则是她的生命将不长久。她从政府接到了歼灭吸血鬼军团《噬菌》的首领金古的任务。然而在战斗中，044与《噬菌》的年轻战士戮卡相遇，她不知为何要去杀戮卡，如此迷惑着的044，却被政府的领导者达克萨斯二世当作了背叛者。于是两人遭到了政府以及《噬菌》两方面的狙击。受了伤的戮卡与044一起继续逃亡，在这过程中，他们听到了充满了慈爱的谜之声。最终044与戮卡在感受到了微妙的爱意后突进到了最终的决战。 中文名称：鹡鸰女神/鹦鹉 作品原名：セキレイ 开播日期：2008年7月2日 动画类别：TV版 【故事介绍】 因为第二次应考失败而消沉的佐桥皆人偶然与美少女——结相遇，正在寻找合适主人：“苇牙”的结竟然在皆人面前羽化并将皆人认定成自己的主人，而并没发觉事态严重的皆人接到了巨大企业M.B.I社长御中的联络，原来结竟然是M.B.I社迷之计划“鹦鹉计划”中的鹦鹉，就这样随着各种鲜嫩多汁的美少女的登场，一个个美丽又邪恶的战斗故事开始了…… 下面是新公布的声优情报（括号内为DRAMA声优，一个不留，残念= =）： 【CAST】 佐桥皆人：立花慎之介 结：早见沙织（川澄绫子） 月海：井上麻里奈（田中理惠） 草野：花泽香菜（田村由加利） 松：远藤绫（松冈由贵） 《鹡鸰女神》动画版将由《犬神》和《魔法少女奈叶》系列的制作会社7Arcs操刀制作，监督同样为《魔法少女奈叶》的监督草川启造，角色设定为友冈新平，剧本为吉冈敬男。 【STAFF】 原作：极乐院樱子 连载：YOUNG GANGAN 导演：草川启造 脚本：吉冈隆夫 人物设定：友冈新平 动画制作：SEVEN·ARCS 中文名称：秀逗魔导士REVOLUTION 作品原名：スレイヤーズREVOLUTION 开播日期：2008年7月3日 动画类别：TV版 【故事介绍】 为了寻找能够代替在上一次战斗中失去了的“ 光之剑”的武器，莉娜与高里再一次踏上了旅途。在途中遇见了为了作掉海贼而造访露维纳刚鲁多王国的阿美利亚与吉路刚帝士，虽然为老朋友间的再会而感到喜悦，但是、在他们面前出现了的露维纳刚鲁多王国的监察者——特务搜查官，一个被称为瓦依扎的男人。他的想法与行动让莉娜感到愕然…… 【STAFF】 原作：神坂一、あらいずみるい（富士见ファンタジア文库） 监督：渡部高志 系列构成：高山治郎 人物原案：あらいずみるい 人物设定：宫田奈保美 动画制作：J.C.STAFF 【CAST】 莉娜·因巴斯：林原めぐみ 高里·杰布列夫：松本保典 杰路·刚帝士：緑川光 加梅莉亚·威尔：铃木真仁 ポコタ：小林由美子 中文名称：魔法使的注意事项 夏之空 作品原名：魔法遣いに大切なこと ～夏のソラ～ 开播日期：2008年7月3日 动画类别：TV版 【STAFF】 原作·脚本：山田典枝 导演：小林治 人设原案：吉月九美 角色设定：芳垣佑介 音响监督：长崎行男 音乐：羽毛田丈史 动画制作：HAL FILMMAKER 【CAST】 铃木空：花泽香菜 绿川豪太：前野智昭 浅葱穗实：井上麻里奈 黑田浩二：浪川大辅 山吹日和：高桥美佳子 原诚一郎：小山力也 白石沙织：高乃丽 中文名称：稻草男 作品原名：スケアクロウマン 开播日期：2008年7月3日 动画类别：TV版 【故事介绍】 主人公是一个在田野里站了20年的稻草人，某天早晨一阵旋风过后突然有了意识。他救了稻草人商店老板的女儿，最后和她成为了好朋友。 【STAFF】 原作：中野史郎 人设原案：中野史郎、中原正博 人物设定：西塚耕一 导演：竹内启雄 副导演：小林哲也、下山真吾 系列构成：日吉惠 音乐：龟山耕一郎 角色建模：岩崎岳水、斋藤博一 美术监督：宫野隆 CG美术导演：石原由梨 CG技术总监：盐田久人 编辑：田郑源太、千叶和行 音响监督：仲野通 制作：东京MOVIE 【CAST】 Scarecrowman：野岛裕史 MR.Vest：荻野晴朗 Bearbear ：小林沙苗 Horn Head：别府步 Alice：榎本温子 Grace：峰香织 解说：神户浩 中文名称：西洋骨董洋果子店 作品原名：西洋骨董洋菓子店 ～アンティーク～ 开播日期：2008年7月4日 动画类别：TV版 【故事简介】 神田英司终于如愿摘下日本拳坛轻量级冠军，却因为眼睛受伤必须退出拳坛，令英司大受打击、从此销声匿迹。财团小开橘圭一郎生平最不爱吃的就是甜食，却突然决定要开一间蛋糕店。圭一郎请到了天才蛋糕师傅小野裕介，同时买下一间骨董店，于是风味独树一格的“西洋骨董”就此开张。 某日英司外出慢跑，发现了这间奇特的蛋糕店。英司品尝过小野的蛋糕后大为感动，决定成为蛋糕店学徒，从此展开了“西洋骨董洋果子店”的传奇故事…… 【STAFF】 原作：吉永史 （『西洋骨董洋菓子店』／新书馆刊 ） 监督：奥村よしあき 脚本：高桥ナツコ 人设：内野明雄 美术监督：岛村达雄（白组） 音响监督：早瀬博雪 动画制作：日本动画＋白组 制作协力：SynergySP 点心原案：铠塚俊彦（「Toshi Yoroizuka」大厨） 【CAST】 橘圭一郎：藤原啓治 小野裕介：三木眞一郎 神田エイジ：宫野真守 小早川千影：花轮英司 还有很多，请详见http://game.zol.com.cn/97/974872.html
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Ⅶ 致命紫罗兰编号044 主题曲叫什么

是指片头曲吗？如果是的话就是这个
歌名：「Guilty Pleasure」
歌手：BECCA

Ⅷ 致命紫罗兰 编号044OP是谁唱的

片头OP: 「Guilty Plasure」 演唱: BECCA

Ⅸ 动画致命紫罗兰044的OP

MY father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone and my sister - Mrs Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, `Also Georgiana Wife of the Above,' I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine - who gave up trying to get a living, exceedingly early in that universal struggle - I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.

Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond, was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.

`Hold your noise!' cried a terrible voice, as a man started up from among the graves at the side of the church porch. `Keep still, you little devil, or I'll cut your throat!'

A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.

`O! Don't cut my throat, sir,' I pleaded in terror. `Pray don't do it, sir.'

`Tell us your name!' said the man. `Quick!'

`Pip, sir.'

`Once more,' said the man, staring at me. `Give it mouth!'

`Pip. Pip, sir.'

`Show us where you live,' said the man. `Pint out the place!'

I pointed to where our village lay, on the flat in-shore among the alder-trees and pollards, a mile or more from the church.

The man, after looking at me for a moment, turned me upside down, and emptied my pockets. There was nothing in them but a piece of bread. When the church came to itself - for he was so sudden and strong that he made it go head over heels before me, and I saw the steeple under my feet - when the church came to itself, I say, I was seated on a high tombstone, trembling, while he ate the bread ravenously.

`You young dog,' said the man, licking his lips, `what fat cheeks you ha' got.'

I believe they were fat, though I was at that time undersized for my years, and not strong.

`Darn Me if I couldn't eat em,' said the man, with a threatening shake of his head, `and if I han't half a mind to't!'

I earnestly expressed my hope that he wouldn't, and held tighter to the tombstone on which he had put me; partly, to keep myself upon it; partly, to keep myself from crying.

`Now lookee here!' said the man. `Where's your mother?'

`There, sir!' said I.

He started, made a short run, and stopped and looked over his shoulder.

`There, sir!' I timidly explained. `Also Georgiana. That's my mother.'

`Oh!' said he, coming back. `And is that your father alonger your mother?'

`Yes, sir,' said I; `him too; late of this parish.'

`Ha!' he muttered then, considering. `Who d'ye live with - supposin' you're kindly let to live, which I han't made up my mind about?'

`My sister, sir - Mrs Joe Gargery - wife of Joe Gargery, the blacksmith, sir.'

`Blacksmith, eh?' said he. And looked down at his leg.

After darkly looking at his leg and me several times, he came closer to my tombstone, took me by both arms, and tilted me back as far as he could hold me; so that his eyes looked most powerfully down into mine, and mine looked most helplessly up into his.

`Now lookee here,' he said, `the question being whether you're to be let to live. You know what a file is?'

`Yes, sir.'

`And you know what wittles is?'

`Yes, sir.'

After each question he titled me over a little more, so as to give me a greater sense of helplessness and danger.

`You get me a file.' He tilted me again. `And you get me wittles.' He tilted me again. `You bring 'em both to me.' He tilted me again. `Or I'll have your heart and liver out.' He tilted me again.

I was dreadfully frightened, and so giddy that I clung to him with both hands, and said, `If you would kindly please to let me keep upright, sir, perhaps I shouldn't be sick, and perhaps I could attend more.'

He gave me a most tremendous dip and roll, so that the church jumped over its own weather-cock. Then, he held me by the arms, in an upright position on the top of the stone, and went on in these fearful terms:

`You bring me, to-morrow morning early, that file and them wittles. You bring the lot to me, at that old Battery over yonder. You do it, and you never dare to say a word or dare to make a sign concerning your having seen such a person as me, or any person sumever, and you shall be let to live. You fail, or you go from my words in any partickler, no matter how small it is, and your heart and your liver shall be tore out, roasted and ate. Now, I ain't alone, as you may think I am. There's a young man hid with me, in comparison with which young man I am a Angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself, of getting at a boy, and at his heart, and at his liver. It is in wain for a boy to attempt to hide himself from that young man. A boy may lock his door, may be warm in bed, may tuck himself up, may draw the clothes over his head, may think himself comfortable and safe, but that young man will softly creep and creep his way to him and tear him open. I am a keeping that young man from harming of you at the present moment, with great difficulty. I find it wery hard to hold that young man off of your inside. Now, what do you say?'

I said that I would get him the file, and I would get him what broken bits of food I could, and I would come to him at the Battery, early in the morning.

`Say Lord strike you dead if you don't!' said the man.

I said so, and he took me down.

`Now,' he pursued, `you remember what you've undertook, and you remember that young man, and you get home!'

`Goo-good night, sir,' I faltered.

`Much of that!' said he, glancing about him over the cold wet flat. `I wish I was a frog. Or a eel!'

At the same time, he hugged his shuddering body in both his arms - clasping himself, as if to hold himself together - and limped towards the low church wall. As I saw him go, picking his way among the nettles, and among the brambles that bound the green mounds, he looked in my young eyes as if he were eluding the hands of the dead people, stretching up cautiously out of their graves, to get a twist upon his ankle and pull him in.

When he came to the low church wall, he got over it, like a man whose legs were numbed and stiff, and then turned round to look for me. When I saw him turning, I set my face towards home, and made the best use of my legs. But presently I looked over my shoulder, and saw him going on again towards the river, still hugging himself in both arms, and picking his way with his sore feet among the great stones dropped into the marshes here and there, for stepping-places when the rains were heavy, or the tide was in.

The marshes were just a long black horizontal line then, as I stopped to look after him; and the river was just another horizontal line, not nearly so broad not yet so black; and the sky was just a row of long angry red lines and dense black lines intermixed. On the edge of the river I could faintly make out the only two black things in all the prospect that seemed to be standing upright; one of these was the beacon by which the sailors steered - like an unhooped cask upon a pole - an ugly thing when you were near it; the other a gibbet, with some chains hanging to it which had once held a pirate. The man was limping on towards this latter, as if he were the pirate come to life, and come down, and going back to hook himself up again. If gave me a terrible turn when I thought so; and as I saw the cattle lifting their heads to gaze after him, I wondered whether they thought so too. I looked all round for the horrible young man, and could see no sings of him. But, now I was frightened again, and ran home without stopping.

Ⅹ 动漫<<致命紫罗兰编号044>>片头曲是什么歌啊演唱者

就是袭OP咯！
歌名：「Guilty
Pleasure」
歌手：BECCA
TV截取版下载
http://music.fenbei.com/12341745
完整版要等CD发行，等等吧！！暂时只是TV截取的