枪炮玫瑰英文

① gun's rose /枪花/枪与玫瑰/枪炮玫瑰/这几个词是一个意思么我不懂啊。（汗）请帮我辨析一下，谢谢。

是的,国外著名乐队,因为两个主唱来自不同乐队,风格不同,起了这个名字,Don't cry就是他们的著名作品

介绍:
枪炮玫瑰乐队(Guns N' Roses，简称GNR，国内简称“枪花”)可能是世界上最著名，拥有最多歌迷的硬摇滚乐队了，他们曾经创下了音乐历史上处子作专辑的最高销售纪录，拥有史上最伟大的摇滚乐专辑之一的《毁灭的欲望》(Appetite for Destruction)，拥有两张专辑同时成为Billboard 200排行榜冠亚军的神话，他们曾经是整个世界流行音乐界最耀眼的商业明星。当1988年枪与玫瑰乐队的单曲《Sweet Child O' Mine》第一次闯入了主流流行音乐市场的时候，他们就像主流摇滚乐中的叛逆战士一样，吹响了横行无阻的流行金属时代的熄灯号。在那个迪斯科舞曲和流行摇滚乐的最鼎盛时代，枪与玫瑰不同于80年代中后期盛行的以Def Leppard和Motley Crue乐队为代表的长发流行金属，也不同于史密斯飞船乐队(Aerosmith)这样明显留有七十年代布鲁斯摇滚乐痕迹的乐队，更不同于金属乐队(Metallica)这样的速度金属和鞭笞重金属乐队。
但是枪花自从鼎盛期的创纪录的长达两年的世界规模巡回演出之后，特别是Izzy Stradlin离队之后，使乐队明显的开始走下坡路，并且在不久出现了分裂，在乐队成员因为音乐发展道路上的分歧而彻底破裂之后，乐队也进入了近十年的低潮期，但是他们依旧始终是世界顶尖的摇滚乐队，依旧拥有全世界各地无数的忠心并对他们充满期待的歌迷，任何有关枪与玫瑰的新音乐作品都会成为唱片市场上最抢手的东西。
附：成员变更记录
1985年3月阵容：
W. Axl Rose 主唱
Izzy Stradlin 吉他手
Tracii Guns 吉他手
Duff McKagan 贝斯手
Rob Gardner 鼓手

1985年6月阵容：
W. Axl Rose 主唱
Izzy Stradlin 节奏吉他手
Slash 主吉他手
Duff McKagan 贝斯手
Steven Adler 鼓手

1990年4月，键盘手Dizzy Reed入队；

1990年7月，鼓手Steven Adler因为毒瘾太大无法正常参与乐队工作被开除，Matt Sorum入队

1991年11月7日，节奏吉他手Izzy Stradlin离团，Gilby Clarke入队

1995年2月，Gilby Clarke被Axl开除

1996年10月30日，因为与主唱Axl在乐队风格取向上存在不可调和的分歧，Slash离队

② lol枪炮玫瑰解说视频，纸上谈兵，推荐衣服时播放的英文歌曲叫什么

I want my tears back

③ 枪炮玫瑰的don't cry

怎么又是谐音搜索！！！
谐音 音色不正！发音不准！
想学好不？努力练习引文发音吧！！！！！

④ 摇滚乐队 枪炮玫瑰

Estranged 听听是不是这首！

http://www.cecgtt.com/UploadFile/others/Estranged.mp3

⑤ 有一首英文歌曲歌词中有baby don't...,baby don't...,好像是一个组合，有男有女，但不是枪炮玫瑰的歌

是安室奈美恵 的Baby Don't Cry
作词：Nao'ymt
作曲：Nao'ymt
编曲：Nao'ymt

信号待ち见かけた见覚えのある青いTシャツ
変わらない笑颜 流れたときはちょうど3years
声かけようと その隣に见知らぬ谁か
ふとそらした目に映る空はいつもと同じで
きっとこうして人はちょっとずつ
过ぎた季节に记忆を隠す
いつかこぼれた涙集まって
阳を浴びて 辉くまで
そう だからBaby悲しまないで
考えても分かんないときもあるって
散々でも前に続く道のどこかに望みはあるから
雨の朝でも （Baby don't cry）
爱が消えそうでも （Baby don't cry）
ひとりになんてしないから （Baby don't cry）
Baby don't cry Oh yeah... さあ
眠れない夜は何度も寝返りばかり
心细くなって泣き出す 溜め息は深い
また抱えた不安 これ以上解消できず
谁かの手握って见えない明日へ繋ごうと努力し

⑥ 求 枪炮玫瑰 英文简介

At a time when pop was dominated by dance music and pop-metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don't play rock & roll. They were ugly, misogynist, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, "Sweet Child O' Mine," showed. While Slash and Izzy Stradlin ferociously spit out eling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassist Duff McKagan and drummer Steven Adler were a limber rhythm section who kept the music loose and powerful. Guns N' Roses' music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest — everything that good hard rock and heavy metal should be. There was something refreshing about a band who could provoke everything from devotion to hatred, especially since both sides were equally right. There hadn't been a hard rock band this raw or talented in years, and they were given added weight by Rose's primal rage, the sound of confused, frustrated white trash vying for his piece of the pie. As the '80s became the '90s, there simply wasn't a more interesting band around, but owing to intra-band friction and the emergence of alternative rock, Rose's supporting cast graally disintegrated, as he spent years in seclusion.

Guns N' Roses released their first EP in 1986, which led to a contract with Geffen; the following year, the band released their debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn't start selling until almost a year later, when MTV started playing "Sweet Child O' Mine." Soon, both the album and single shot to number one, and Guns N' Roses became one of the biggest bands in the world. Their debut single, "Welcome to the Jungle," was re-released and shot into the Top Ten, and "Paradise City" followed in its footsteps. By the end of 1988, they released G N' R Lies, which paired four new, acoustic-based songs (including the Top Five hit "Patience") with their first EP. G N' R Lies' inflammatory closer, "One in a Million," sparked intense controversy, as Rose slipped into misogyny, bigotry, and pure violence; essentially, he somehow managed to distill every form of prejudice and hatred into one five-minute tune.

Guns N' Roses began work on the long-awaited follow-up to Appetite for Destruction at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums Use Your Illusion I and Use Your Illusion II were released in September 1991. Messy but fascinating, the albums showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it. The albums sold very well initially, but while they had seemed destined to set the pace for the decade to come, that turned out not to be the case at all.

Nirvana's Nevermind hit number one in early 1992, suddenly making Guns N' Roses — with all of their pretensions, impressionistic videos, models, and rock star excesses — seem very uncool. Rose handled the change by becoming a dictator, or at least a petty tyrant; his in-concert temper tantrums became legendary, even going so far as to incite a riot in Montreal. Stradlin left by the end of 1991, and with his departure the band lost their best songwriter; he was replaced by ex-Kills for Thrills guitarist Gilby Clarke. The band didn't fully grasp the shift in hard rock until 1993, when they released an album of punk covers, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but their own Appetite for Destruction. By the middle of 1994, there were rumors flying that the band was about to break up, since Rose wanted to pursue a new, more instrial direction and Slash wanted to stick with their blues-inflected hard rock. The band remained in limbo for several more years, and Slash resurfaced in 1995 with the side project Slash's Snakepit and an LP, It's Five O'Clock Somewhere.

Rose remained out of the spotlight, becoming a virtual recluse and doing nothing but tinkering in the studio; he also recruited various musicians — including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck — for informal jam sessions. Remaining members were infuriated by Rose's inclusion of childhood friend Paul Huge in the new sessions when both Stradlin and Clarke were excluded from rejoining the band. And a remake of the Rolling Stones' "Sympathy for the Devil" was essentially the straw that broke the camel's back, as Rose cut out some of the other member's contributions and pasted Huge over the song without consulting anyone else. By 1996, Slash was officially out of Guns N' Roses, leaving Rose the lone remaining survivor from the group's heyday; rumors continued to swirl, and still no new material was forthcoming, though Rose did re-record Appetite for Destruction with a new lineup for rehearsal purposes. The first new original GNR song in eight years, the instrial metal sludge of "Oh My God" finally appeared on the soundtrack to the 1999 Arnold Schwarzenegger film End of Days. Soon after, Geffen issued the two-disc Live Era: '87-'93.

2000 brought the addition of guitarists Robin Finck (of Nine Inch Nails) and Buckethead. 2001 was greeted with Guns N' Roses' first live dates in nearly seven years, as the band (who consisted of Rose plus guitarists Finck, Buckethead, bassist Stinson, former Primus drummer Brian "Brain" Mantia, childhood friend and guitarist Paul Huge, and longtime GNR keyboardist Dizzy Reed) played a show on New Years Eve 2000 in Las Vegas, playing as well at the mammoth Rock in Rio festival the following month. On New Years Eve 2001, the band played almost the exact same set as the year before.

An appearance at MTV's 2002 Video Music Awards helped garner interest in the new lineup, but a rusty performance from Rose and an interview where he said his new album wasn't coming out anytime soon didn't do much to further their cause. That summer, the band started on their first tour in almost eight years, and they managed to fulfill all of their commitments in Europe and Asia. Sadly, they caused a violent and destructive riot in Vancouver when Rose failed to show up for the first date of their North American tour. While he was up to his old shenanigans with the retooled lineup, former Stone Temple Pilots vocalist Scott Weiland, Slash, Sorum, and McKagan formed the successful Velvet Revolver in spring 2002.

And so years passed and still no new GNR album, to the point where it became a joke to many. The album was long billed as Chinese Democracy, and occasionally session recordings would leak and make their way onto Internet file-sharing networks. A fascinating article written by Jeff Leeds for The New York Times, published March 2005, revealed how tangled and costly the making of the album had become. According to the article, titled "The Most Expensive Album Never Released," Rose began work on the album in 1994 and racked up proction costs of at least 13 million dollars. Procers involved with the album at one time or another include Mike Clink, Youth, Sean Beavan, and even Roy Thomas Baker. (Curiously, Moby claimed to have been offered the job as well.) Marco Beltrami and Paul Buckmaster were allegedly brought in for orchestral arrangements, and there was a revolving door of guitarists. In 2006, the album seemed closer to release, as Rose began surfacing in public and even took his band on the road for some shows.

⑦ 英语multiplier怎么翻译

英语multiplier的中文意思是：[数] 乘数；[电子] 倍增器；增加者；繁殖者。

重要词汇：

• multiplier

读音：英 [ˈmʌltɪplaɪə] 美 [ˈmʌltɪplaɪər]

释义：n.增加者；乘数；乘（或倍）数；收益增值率；倍增器；扩量（程）器；齿轮轴钓鱼线

短语：

• multiplier effect乘数效应 ; 倍数作用 ; 乘数效果 ; 延增效应

• Megapixel Multiplier Rule像素翻倍法则 ; 像素翻倍规律 ; 像素翻倍规则 ; 像荤翻倍法则

• voltage multiplier[电子]倍压器 ; 电压倍增器倍压器 ;[电子]电压倍增器 ; 电压乘法器

• image multiplier影像倍增器

例句：

• Nowwetry toapplyour Lagrangemultiplierequations.

  现在我们来用拉格朗日乘数法方程。

• The debatehinges onthescaleof the"fiscalmultiplier".

  争论的焦点主要集中在“财政乘数”的规模。

⑧ 帽子上的这几个英文字母什么意思

美国的一个硬摇滚乐队 枪炮与玫瑰，也可以叫做枪花 GN'R 或GnR ，这些是别名啦

⑨ 法语歌词翻译===Peche d’envie

这就是我想要做
要说
是，我想有t
要理解
是，我想有嚼BR升有阻力
是，我希望能有RI CH
和魔鬼原谅我，我所有美丽的愿望

这是我想要看到有EN MI
是，我想知道
要征服
是，我想必须有挖空赛艇都曾有希望已经失去了一切
和魔鬼原谅我这些荒谬的渴望
但我坚持我的褶皱
我将打破牙齿
他是赢家

所以，我希望能有听力的味道
所以我想在云中必须有触摸
所以我想有PRIð先生，我想VOR的歌声和
和魔鬼原谅我没有扣除这些欲望
但我着手嘲弄
它是我经常服用，慢慢地，随着时间的推移

所以我想有目的，有ADOR
所以我想有damne和测试
所以我想有想有咬伤你感叹格里夫哭
是上帝原谅我这几年的甜P C小号
是上帝原谅我这几年的甜P C小号
上帝原谅我
原谅我，魔鬼
原谅我，魔鬼
上帝原谅我
原谅我，魔鬼

⑩ 求lol枪炮玫瑰解说惩戒之箭的几首背景英文音乐，给谢了

那个惩戒第三个皮肤视频曲子叫In My Remains是linkin park的，其它的不知道了