情人节海报边框

1. 七夕传统情人节手抄报版面设计边框图案：情人节物语

玫瑰代表爱情是众所周知的,但不同颜色、朵数的玫瑰还另有吉意呢!

红玫瑰代表热情真爱;黄玫瑰代表珍重祝福和嫉妒失恋;紫玫瑰代表浪漫真情和珍贵独特; 白玫瑰代表纯洁天真;黑玫瑰则代表温柔真心;橘红色玫瑰友情和青春美丽;蓝玫瑰则代表敦厚善良。

巧克力的含义：

榛子巧克力——忠贞

果仁巧克力——可人

酒心巧克力——与你共醉

奶香巧克力——我的蜜糖

情人节除了送玫瑰花之外，你也可以借助以下的鲜花营造浪漫、甜蜜的气氛，更具体地表达对爱情的赞美和对爱人的祝福：

蔷薇——求爱

满天星——爱怜

百合——百年好和

向日葵——爱慕

合欢——欢乐

金盏花——迷恋

红豆——相思

石斛兰——任性美人

红菊——我爱

紫丁香——羞怯

白丁香——念我

郁金香——爱的寓言

杨柳枝——依恋

紫萝兰——永恒之美

波斯菊——永远快活

玛格丽特——情人的爱

2. 《秦时明月》情人节海报被喷，难得涨热度的机会，又搞砸了吗

《秦时明月》极致版正在热播之中，它的官微也在情人节这天趁热打铁，发布了以《秦时明月》为主题的情人节海报，犒劳犒劳粉丝涨一涨热度。然而本来以为会大受欢迎的《秦时明月》情人节海报，竟然遭到评论区一阵吐槽，最大的原因是缺少了卫庄和赤练这一对，其次是因为雪女的建模依然崩坏。下面来详细分析下，如下：

总结：

《秦时明月》的情人节海报被喷，既冤枉又不冤枉。雪女的建模值得吐槽，孔明灯出现在秦朝值得吐槽，但偏偏卫庄和赤练的cp没出现，就不值得吐槽了。情人节海报要考虑角色之间的关系，不是大杂烩一锅乱炖，卫庄和赤练流沙组织的身份，决定他们难以在以墨家人为主的情人节海报里出现，你们觉得呢？

3. 杨幂、许凯《爱的二八定律》情人节海报公布，哪些细节值得关注

一场因为饱受父母胁迫，经历的先婚后爱的生活，对于这种合约式的婚姻，大家是否有什么想法呢？他们究竟是各取所需还是未雨绸缪？让我们拭目以待吧！

《爱的二八定律》海报已播出，勾起了很多人的期待，瞬间在脑海中漂浮着一个问题“这部剧究竟什么时候播出呢”？

据悉电视剧《爱的二八定律》，在去年6月份的时候就已经圆满杀青，并且在去年年底的时候获得发行证，时至今日官方才公布海报，随着海报的发布，想必正片也很快就跟我们见面了。

杨幂是否应考虑挖掘新的角色，重新突破自己，回首往日杨幂拍摄的电视剧，似乎都是言情剧，几乎没有其他类型的电视剧。并且在杨幂的眼神中，几乎所有的剧集都是一种眼神，在眼神中也多了些许的沧桑。

总而言之，杨幂的年龄有些大了，不适合出演姐弟恋的言情剧了，大家觉得呢？

4. 帮我用ps做四张海报

要求？？什么产品的？

5. 七夕手抄报版面设计边框图案资料

优秀手抄报版面设计边框图案欣赏：

大学高考阅读配图

6. 传统七夕情人节手抄报版面设计边框图案资料

传统七夕情人节手抄报版面设计边框图案资料

我国七夕节的节日习俗有哪些呢

七夕节在我国最初是女人们祈求心灵手巧和美满姻缘的一个节日，到后来，由于牛郎织女的爱情反复被文人说起，如今，它俨然成为了中国的情人节。很多情侣趁着这一天表白、结合，见证其爱情。

然而，其实，七夕节是乞巧节，女儿节，却独独不是情人节。我国古代的情人节是元宵佳节。话不多说，让我们就来看看，在古代七夕节到底有什么习俗呢。

★ 为牛庆生：

是日，儿童会采摘野花挂在牛角上，又叫 贺牛生日。因为传说西王母用天河把牛郎织女分开后，老牛为了让牛郎能够跨越天河见到织女，让牛郎把它的皮刨下来，驾着它的牛皮去见织女。人们为了纪念老牛的牺牲精神，便有了为牛庆生的习俗。

★ 晒书晒衣：

在乱世中，以放浪形骸来表达中的郁闷。他们藐视礼法，反对时俗。刘义庆的《世说新语》卷二十五说，七月七日人人晒书，只有郝隆跑到太阳底下去躺着，人家问他为什么，他回答：我晒书。这一方面是蔑视晒书的习俗，另一方面也是夸耀自己腹中的才学。晒肚皮也就是晒书。

据载，司马懿当年因位高权重，颇受曹操的猜忌，有鉴于当时政治的黑暗，为求自保，他边装疯病躲在家里。魏武帝仍然不大放心，就派了一个亲信令史暗中探查真相。时值七月七日，装疯的司马懿也在家中晒书。令史回去禀报魏武帝，魏武帝马上下令要司马懿回朝任职，否则即可收押。司马懿只乖乖的遵命回朝。

汉代晒衣的风俗在魏晋时为豪门富室制造了夸耀财富的机会。名列竹林七贤的阮咸就瞧不起这种作风。七月七日，当他的邻居晒衣时，只见架上全是陵罗绸缎，光彩夺目。而阮咸不慌不忙的用竹竿挑起一件破旧的衣服，有人问他在干什么，他说：未能免俗，聊复尔耳!由这几则小故事看来，就知道当时七夕晒书、晒衣的风俗有多盛了。

★ 穿针乞巧：

这是最早的乞巧方式，始于汉，流于后世。《西京杂记》说：汉彩女常以七月七日穿七孔针于开襟楼，人具习之。

南朝梁宗谋《荆楚岁时记》说：七月七日，是夕人家妇女结彩楼穿七孔外，或以金银愉石为针。《舆地志》说：齐武帝起层城观，七月七日，宫人多登之穿针。世谓之穿针楼。

五代王仁裕《开元天宝遗事》说：七夕，宫中以锦结成楼殿，高百尺，上可以胜数十人，陈以瓜果酒炙，设坐具，以祀牛女二星，妃嫔各以九孔针五色线向月穿之，过者为得巧之侯。动清商之曲，宴乐达旦。土民之家皆效之。

元陶宗仪《元氏掖庭录》说：九引台，七夕乞巧之所。至夕，宫女登台以五彩丝穿九尾针，先完者为得巧，迟完者谓之输巧，各出资以赠得巧者焉。

★ 投针验巧：

这是七夕穿针乞巧风俗的变体，源于穿针，又不同于穿针，是明清两代的盛行的七夕节俗。明刘侗、于奕正的《帝京景物略》说：七月七日之午丢巧针。妇女曝盎水日中，顷之，水膜生面，绣针投之则浮，看水底针影。有成云物花头鸟兽影者，有成鞋及剪刀水茄影者，谓乞得巧;其影粗如锤、细如丝、直如轴蜡，此拙征矣。《直隶志书》也说，良乡县(今北京西南)七月七日，妇女乞巧，投针于水，借日影以验工拙，至夜仍乞巧于织女。

★ 拜织女：

拜织女纯是少女、少妇们的事。她们大都是预先和自己朋友或邻里们约好五六人，多至十来人，联合举办。

举行的仪式，是于月光下摆一张桌子，桌子上置茶、酒、水果、五子(桂圆、红枣、榛子、花生，瓜子)等祭品;又有鲜花几朵，束红纸，插瓶子里，花前置一个小香炉。约好参加拜织女的少妇、少女们，斋戒一天，沐浴停当，准时都到主办的家里来，于案前焚香礼拜后，大家一起围坐在桌前，一面吃花生，瓜子，一面朝着织女星座，默念自己的心事。

★ 吃巧果：

七夕的应节食品，以巧果最为出名。巧果又名乞巧果子，款式极多。主要的材料是油面糖蜜。《东京梦华录》中之为笑厌儿、果食花样，图样则有捺香、方胜等。宋朝时，市街上已有七夕巧果出售。若购买一斤巧果，其中还会有一对身披战甲，如门神的人偶，号称果食将军。

乞巧时用的瓜果也可多种变化。或将瓜果雕成奇花异鸟，或在瓜皮表面浮雕图案，称为花瓜 。

巧果的做法是：先将白糖放在锅中熔为糖浆，然后和入面粉、芝麻，拌匀后摊在案上捍薄，晾凉后用刀切为长方块，罪尤折为梭形面巧胚，入油炸至金黄即成。手巧的女子，还会捏塑出各种与七夕传说有关的花样。

★ 染指甲、洗头发：

染指甲系流传在中国西南一带的.七夕习俗，四川省诸多县志以及贵州、广东两地，也有此风。

妇女七夕洗发，也是特别的习俗。在湖南、江浙一带都有此记载。例如湖南湘潭地区《攸县志》：七月七日，妇女采柏叶、桃枝，煎汤沐发。这项习俗，大约和七夕圣水的信仰有关。人们认为，七夕这天取泉水、河水，就如同取银河水一样，具有洁净的神圣力量。有的地方直接叫它天孙(即织女)圣水。因此女性在这天沐发，也就有了特殊意义，代表用银河里的圣水净发，必可获得织女神的护佑。

★ 拜魁星：

俗传七月七日是魁星的生日。魁星文事，想求取功名的读书人特别崇敬魁星，所以一定在七夕这天祭拜，祈求他保佑自己考运亨通。魁星爷就是魁斗星，廿八宿中的奎星，为北斗七星的第一颗星，也魁星或魁首。古代士子中状元时称大魁天下士或一举夺魁，都是因为魁星主掌考运的缘故。

★ 喜蛛应巧：

这也是较早的一种乞巧方式，其俗稍晚于穿针乞巧，大致起于南北朝之时。

南朝梁宗懔《荆楚岁时记》说：是夕，陈瓜果于庭中以乞巧。有喜子网于瓜上则以为符应。

五代王仁裕《开元天宝遗事》说：七月七日，各捉蜘蛛于小盒中，至晓开;视蛛网稀密以为得巧之侯。密者言巧多，稀者言巧少。民间亦效之。

宋朝孟元老《东京梦华录》说，七月七夕以小蜘蛛安合子内，次日看之，若网圆正谓之得巧。

宋周密《乾淳岁时记》说;以小蜘蛛贮合内，以候结网之疏密为得巧之多久。

明田汝成《熙朝乐事》说，七夕以小盒盛蜘蛛，次早观其结网疏密以为得巧多寡。

由此可见，历代验巧之法不同，南北朝视网之有无、唐视网之稀密，宋视网之圆正，后世多遵唐俗。

★ 拜七娘妈：

闽南和台湾的七夕节又是七娘妈的诞辰日。民间十分盛行崇拜七娘妈这一被奉为保护孩子平安和健康的偶像。每年这天，人们三五成群到七娘妈庙供奉花果、脂粉、牲礼等。这天，台湾民间还流行一种成人礼，即孩子长到满15岁时，父母领着他带着供品到七娘妈庙酬谢，答谢七娘妈保护孩子度过了幼年、童年和少年时代。

★ 结扎巧姑：

陕西黄土高原地区，妇女们往往要结扎穿花衣的草人，谓之巧姑，不但要供瓜果，还栽种豆苗、青葱。在七夕之夜各家女子都手端一碗清水，剪豆苗、青葱，放入水中，用看月下投物之影来占卜巧拙之命，还穿针走线，竞争高低。同时还举行剪窗花比巧手的活动。

★ 七姐诞：

七夕晚(广州人多从初六晚开始至初七晚，一连两晚)，姑娘们穿上新衣服，戴上新首饰，连指甲也涂上了红色，然后把早已准备好的各式物品，如古董珍玩、鲜花、时果以及脂粉等摆放在厅堂的八仙台上，还要有一盏油灯放置在仙禾或仙菜中间。

此时，有钱人家的厅堂布置得锦屏绣椅、富丽堂皇，一般人家尽量把厅堂摆设井然。一切都安排停当以后，姑娘们便焚香点烛，对星空跪拜，称为迎仙。自三更至五更，要连拜七次。此时，除了邀请亲戚朋友前来作客以外，还要请邻里中相识与不相识的姑娘们一起拜神，观尝巧艺与玩具，高高兴兴，热热闹闹，如巧艺与玩具受到越多人的称赞，主家姑娘就越高兴，越感到荣耀。

什么是仙禾、仙菜?在节日来到之前，将谷种和绿豆放入小盒里浸，使之发芽，待芽长到二寸多长时，用来拜神，称为拜仙禾和拜神菜。

★ 供奉磨喝乐：

磨喝乐是旧时民间七夕节的儿童玩物，即小泥偶，其形象多为传荷叶半臂衣裙，手持荷叶。每年七月七日，在开封的潘楼街东宋门外瓦子、州西梁门外瓦子、北门外、南朱雀门外街及马行街内，皆卖磨喝乐，乃小塑土偶耳。

其实宋朝稍晚以后的磨喝乐，已不再是小土偶了，相反的，越作越精致。磨喝乐的大小、姿态不一，最大的高至三尺，与真的小孩于相上下。制作的材料则有以象牙雕镂或用龙延佛手香雕成的，磨喝乐的装扮，更是极尽精巧之能事，有以彩绘木雕为栏座，或用红砂碧笼当罩子，手中所持的玩具也多以金玉宝石来装饰，一对磨喝乐的造价往往高达数千钱。

7. 七夕手抄报版面设计边框图案资料：七夕情人节的由来 (中英文版)

七夕情人节

七夕情人节指的是农历七月的第七个夜晚，这个节日是汉代传统的民间节日。七夕的晚上不仅仅是传说中的"牛郎"和"织女"一年一度相会的夜晚，同时也是为编制姑娘们祈求心灵手巧的好机会。因此，七夕节又叫"乞巧节"，"女儿节"。尽管七夕节不如其它节日那般流行，但是在中国，男女老少都对节日背后的故事相当熟悉。

很久以前，有一个放牛娃名叫牛郎，父母早亡，只好跟着哥哥嫂嫂度日。然而，哥哥嫂子为人狠毒，经常虐待他。他们逼牛郎干苦活，不让他吃饱睡好，最后又把他赶出了家门，牛郎除了身上的衣服和一头老水牛外，一无所有。

牛郎在山边搭了间茅草屋，辛勤开垦，在岩石地上挖出了一片菜园，他常常饥肠辘辘，劳累不堪，但把老水牛照顾得好好的。一日，牛突然说话了，它告诉牛郎说自己前身是天上的金牛星，由于违反了天条把粮食种子撒到了人间，天帝将它贬到人间以示惩罚。老牛说，过几天，天上的仙女会下凡到离茅草屋不远的圣池里游泳，其中有一个勤劳善良、美丽贤惠的姑娘，名叫织女。织女是天宫中王母娘娘的外孙女，如果牛郎能趁仙女洗澡的时候把织女的衣服拿走，她就会留下来作他的妻子。

到了那天，牛郎藏在高大的芦苇丛里等着。老牛说的话显灵了，仙女们很快就到了，她们脱掉丝袍跳进水里。牛郎偷偷地爬出来，拿起织女的衣服跑开了。仙女们吓着了，赶快上岸，穿起衣服跑开了，把织女一个人留在后头。牛郎跑回来，把衣服还给了织女，他对织女一见钟情。两人相对而视，织女对牛郎说要做他的妻子。

两人结婚后，牛郎耕田种地，织女纺线织衣，恩恩爱爱。织女成了远近的名人，她心灵手巧，养蚕纺纱，编锦织缎，样样精通。三年后，侄女生了对龙凤胎，男孩儿叫"金哥"，女孩儿叫"玉妹"。小两口日子过得幸福美满，牛郎织女满以为能够终身相守，白头到老。

一天，牛快死了，临死前说对小两口说，将它的皮剥下来放好，有朝一日，披上它，就可飞上天去。牛死后，牛郎心疼地剥下牛皮，小心翼翼地收藏起来。

这时候，玉皇大帝和王母娘娘听说孙女到了人间，还结婚生子，非常生气，遂下令天神尽快把织女捉回来。

一日，牛郎从地里回来看见孩子们坐在地上哭，忙到织布机前看，没人。孩子说，有个老太太把妈妈抓走了。牛郎记起了老牛对他说的话，他把孩子放到两个箩筐里，披上牛皮，挑起箩筐，突然，他轻如浮云，飞向天空。眼看快追上了，王母娘娘听到了小孩的哭声，她朝后一望，从头上取下金簪，在身后划了一道，天空中立马出现一条奔腾的河，这条河就叫天河。天河太宽，河水湍急，牛郎飞不过去，只能看着织女飞走，父子三人哭得揪心裂胆，天帝见此情景，大为感动，遂允许牛郎织女每年农历七月初七在天河上鹊桥相会。

这对可怜的夫妻变成了星星，牛郎变成了牵牛星，织女成了织女星，把他们分开的河就是银河。

这个悲楚动人的故事一代代相传。据说，七月初七那天，喜鹊很少，因为他们都要飞到银河上为牛郎织女搭起约会的桥。由于牛郎和织女在上面站的时间太长了，次日，这些忠实的喜鹊头都变秃了。

在中国，许多人把"七夕节"当成本族的情人节。

七夕情人节

The Double Seventh Festival refers to the seventh night of the seventh lunar month. It is a traditional folk festival of the Han people. This night is not only the time when the legendary Cowherd and the Girl Weaver are supposed to have their annual meeting, but also a good opportunity for women to pray for the Girl Weaver for the purpose of seeking dexterity. Therefore, this festival is also named " Maiden's Day", " Daughter's Day". The day is not as well-known as many other Chinese festivals. But almost everyone in China, young or old, is very familiar with the story behind it.

Once upon a time, there lived a poor cowherd, Niulang, whose parents had died long before. He had to live together with his elder brother. Unfortunately, his brother and his sister-in -law were very mean and often treated Niulang very badly. They would not give him enough food to eat, and made him work so hard that he hardly had time to sleep. Finally, they kicked him of their home. All he had in the world were the clothes on his back and an old ox.

Niulang built a small thatched cottage on the side of a mountain. He cut and g and sweat until he had made a vegetable garden out of the rocky soil. He was often tired and hungry, but always found time to take good care of his old ox. One day, the old ox suddenly began to speak to him. It said that it used to be Taurus, the Golden-Ox Star, in the sky and had been banished by the Lord of Heaven to this world as punishment for its violation of heavenly rule by sPading grain seeds to this world. The old ox told Niulang that the goddesses of Heaven would take a bath in a sacred pond not far from his cottage a few days later. Among them was a beautiful, virtuous and instrious girl whose name is Zhinu, the Girl Weaver. Zhinu was a granddaughter of the King of the Heavenly Kingdom. If the Cowherd took the advantage of their bath in the pond to take away her clothes, she would stay and become his wife.

When the day came, Niulang hid in the tall reeds by the pond and waited for the young goddesses. They soon came, just as the ox said they would. They took off their silk robes and jumped into the clear water. Niulang crept out of his hiding place, picked up Zhinu's clothes and ran away. Her companions were so frightened that they jumped out , dressed as quickly as they could and flew away, leaving the Girl Weaver behind. Niulang returned and gave her back her clothes. He had adored her from the first sight he saw her. They looked into each other's eyes. The Girle Weaver told the poor Cowherd that she would be his wife.

After their marriage, the Cowherd ploughed and the Girl Weaver wove and they loved each other. The Girl Weaver became famous far and near for her dexterity in raising silkworms, reeling and weaving exquisite silks and satins. Three years later, Zhinu gave birth to twins, a boy and a girl. They named the boy " Brother Gold" and the girl " Sister Jade". The couple were overjoyed with the additions to their family and believed that they would remain a devoted couple to the end of their lives.

One day, the ox was dying. Before it closed its eyes for the last time, it told the young couple to skin him and keep its hide after its death. It also told them that its hide would enablr a man to fly even to Heaven. After the old ox died, the young couple reluctantly skinned it and stored it with meticulous care.

Meanwhile, the King and Queen of Heaven found out that their granddaughter had gone to the world of Man and taken a husband. They flew into a temper. They ordered a god to bring the Girl Weaver back as soon as possible.

Niulang came back from the field one day to find his two children sitting on the ground and crying. He found the seat at the loom empty. The two children told him that an old lady had just taken their mother away. Niulang remembered what the old ox had told him, he carried his two children in two baskets on a pole and put on the magic hide. Immediately, he got as light as a cloud and flew up into the sky. He had almost caught up with the Queen and his wife when the Queen heard the crying of his children. Looking back, she pulled off a gold clasp from her hair and drew a line behind her. A raging torrent immediately appeared in the sky. This is the so-called River of Heaven. The Cowherd and his children could not get past this wide and swollen river. Heartbroken, he and his children could only look and weep bitterly. Moved by their mournful crying, the King of Heaven decided to allow the separated couple to meet on a bridge of magpies on the seventh night of the seventh Lunar month each year.

The poor couple each became a star, the Cowherd, Altair and the Girl Weaver, Vega. The wide river that kept them apart is known as the Milky Way.

This sad love story has passed from generation to generation. It is well known that very few magpies are seen on the Double-Seventh Day. This is because they all fly to the Milky Way to form a bridge for the meeting of the Cowherd and the Girl Weaver. And the next day the magpies' heads are bald because the Cowherd and the Girl Weaver walked and stood too long on the heads of their loyal feathered friends.

The Double-Seventh Day in China is considered by many the Chinese Valentine's Day.

8. 七夕情人节海报,七夕浪漫图片

标准答案是艘艘： 设计云 这素材网不错的说

9. 怎样设计海报边框

单独做个边框图层，把想要的换进去~~~~~