茶花女的英文名字

㈠ 茶花女的作者的英文名

亞歷山大·小仲馬（Dumas Alexandre）。

記得採納啊

㈡ 有哪位英語高手知道《茶花女》中男女主人公瑪格麗特和亞芒的英文名怎麼拼寫啊，救急啊！在線等各位啊～

瑪格麗特: Marguerite Gautier
亞芒:Armand Duval

㈢ 茶花女作者介紹(英語+中文)

亞歷山大·小仲馬 Alexandre Dumas fils （1824～1895）是法國著名小說家大仲馬當公務員時與一女裁縫所生的私生子。受父親影響，他也熱愛文學創作，並且和他父親一樣勤奮，成為法國戲劇由浪漫主義向現實主義過渡期間的重要作家。大仲馬很為有這樣的兒子而自豪。傳說曾經有人問大仲馬一生中最得意的作品是哪部，大仲馬自豪地回答：小仲馬。和大仲馬側重表現歷史，專寫歷史劇和歷史小說不同，小仲馬則專寫現代劇。小仲馬幼年飽嘗家庭不幸帶來的種種辛酸和痛苦，親眼看到大仲馬一生受累於種種桃色事件，並因此落得晚景貧困凄涼。所以小仲馬在他的作品中大力宣揚家庭及婚姻的神聖，對資產階級社會風氣、家庭生活和倫理道德做了比較細致的描繪和揭露，抨擊了娼妓社會對家庭婚姻的威脅，歌頌了純潔高尚的愛情，成為社會問題劇的創始人之一。
小仲馬的代表作是《茶花女》，開始為小說，後被改編為話劇，它贊頌了瑪格莉特出自淤泥而不染的高尚情操。話劇一上演，立即轟動了整個巴黎。小仲馬從此後專門從事話劇創作，其他比較有名的作品有《私生子》、《金錢問題》、《放盪的父親》《歐勃雷夫人的見解》《半上流社會》《阿爾豐斯先生》《福朗西雍》等。大都以婦女、婚姻、家庭為題材，真實地反映出社會生活的一個側面。他的作品富有生活氣息，感情真切自然，語言通俗流暢。

Dumas was born in Paris, France, the illegitimate child of Marie-Laure-Catherine Labay (1794-1868), a dressmaker, and novelist Alexandre Dumas. During 1831 his father legally recognized him and ensured that the young Dumas received the best ecation possible at the Institution Goubaux and the Collège Bourbon. At that time, the law allowed the elder Dumas to take the child away from his mother. Her agony inspired Dumas fils to write about tragic female characters. In almost all of his writings, he emphasized the moral purpose of literature and in his play The Illegitimate Son (1858) he espoused the belief that if a man fathers an illegitimate child then he has an obligation to legitimize the child and marry the woman.

Dumas' paternal great-grandparents were a French nobleman and a Haitian woman. In boarding schools, Dumas fils was constantly taunted by his classmates. These issues all profoundly influenced his thoughts, behaviour, and writing.

During 1844 Dumas moved to Saint-Germain-en-Laye to live with his father. There, he met Marie Duplessis, a young courtesan who would be the inspiration for his romantic novel The Lady of the Camellias. Adapted into a play, it was titled in English (especially in the United States) as Camille and is the basis for Verdi's 1853 opera, La Traviata. Although he admitted that he had done the adaptation because he needed the money, he had a great success with the play. Thus began the career of Dumas fils as a dramatist, which was not only more renowned than that of his father ring his lifetime but also dominated the serious French stage for most of the second half of the 19th century. After this, he virtually abandoned writing novels (though his semi-autobiographical L'Affaire Clemenceau (1867) achieved some success).

Tomb of Dumas fils in Montmartre Cemetery.On 31 December 1864, Dumas married Nadjeschda von Knorring (1826 – April 1895), daughter of Johan Reinhold von Knorring and wife, and widow of Alexander, Prince Naryschkine, whom he married at Moscow and with whom he had two daughters: Marie-Alexandrine-Henriette Dumas, born 20 November 1860, who married Maurice Lippmann and was the mother of Serge Napoléon Lippmann (1886–1975) and Auguste Alexandre Lippmann (1881–1960); and Jeanine Dumas (3 May 1867–), who married Ernest d' Hauterive (1864–1957), son of George Lecourt d' Hauterive and wife (married in 1861) Léontine de Leusse. After Naryschkine's death, he married in June 1895 Henriette Régnier de La Brière (1851–1934), without issue.

During 1874, he was admitted to the Académie française and in 1894 he was awarded the Légion d'honneur.

Alexandre Dumas fils died at Marly-le-Roi, Yvelines, on November 27, 1895 and was interred in the Cimetière de Montmartre in Paris. His grave is, perhaps coincidentally, only some 100 metres away from that of Marie Duplessis.

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The Lady of the Camellias (Camille) (1848)
L'affaire Clemenceau (The Clemenceau Case) (1867)
[edit] Opera
Verdi's La Traviata based on the novel The Lady of the Camellias
[edit] Plays
Atala (1848)
The Lady of the Camellias (1852)
Diane de Lys (1853)
Le Bijou de la reine (1855)
Le Demi-monde (1855)
La Question d'argent (1857)
Le Fils naturel (The Illegitimate Son) (1858)
Un Père prodigue (1859)
Un Mariage dans un chapeau (1859) coll. Vivier
L'Ami des femmes (1864)
Le Supplice d'une femme (1865) coll. Emile de Girardin
Heloise Paranquet (1866) coll. Durentin
Les Idees de Madame Aubray (1867)
Le Filleul de Pompignac (1869) coll. Francois
Une Visite de noces (1871)
La Princesse Georges (1871)
La Femme de Claude (1873)
Monsieur Alphonse (1873)
L'étrangère (1876)
Les Danicheff (1876) coll. de Corvin
La Comtesse Romani (1876) coll. Gustave Fould
La Princesse de Bagdad (1881)
Denise (1885)
Francillon (1887)
La Route de Thebes (unfinished)

英語和中文內容出自不同地方，所以不能完全一致，請參考

㈣ 求茶花女 以及裡面主要人物的英文名

瑪格麗特·戈蒂耶 Marguerite Gautier

阿爾芒 Armand

阿爾芒的父親 Mr. Duval

阿爾豐西娜•普萊內西 Al Pacino Plessis（這個不大容確定）

㈤ 茶花女的英文名

camellia woman
La Deme Aux Camelias
La Traviata

㈥ 誰知道各種花的英文名字

carnation康乃馨
violet 紫羅蘭
clove丁香
calla lily馬蹄蓮
daisy 雛菊
crocus 藏紅花
water lily荷花
morning glory牽牛花
rosebush薔薇
lavender熏衣草
narcissus水仙
rose 玫瑰花
tulip 鬱金香
balsam 鳳仙花
canna 美人蕉
lily 百合花
jasmine 茉莉
sweet pea 香豌豆花
sunflower 向日葵
geranium 大竺葵
morning-glory 牽牛花
cosmos 大波斯菊
pansy 三色堇
poppy 罌粟花
marigold 金盞花
carnation 麝香石竹
amaryllis 孤挺花
dahlia 大麗花
pink 石竹花
crocus 番紅花
iris 蝴蝶花
hyacinth 風信花
daffodil 黃水仙
chrysanthemum 菊
marguerite, daisy 雛菊
gladiolus 劍蘭
cantury plant 龍舌蘭
magnolia 木蘭
yucca 絲蘭
orchid 蘭花
freesia 小蒼蘭
cyclamen 仙客來
begonia 秋海棠
anemone 銀蓮花
wisteria 柴藤
redbud 紫荊
dogwood 山茱萸
hawthorn 山楂
camellia 山茶
hydrangea 八仙花
hibiscus 木槿
peony 芍葯
azalea 杜鵑
rhododendron 杜鵑花
daphne 瑞香
gardenia 梔子
lilac 紫丁香

㈦ <茶花女>的英文名字是什麼

1、英文名：復The Lady of the Camellias。
制2、作品簡介
《茶花女》是法國著名作家亞歷山大·小仲馬的代表作。故事講述了一個青年人與巴黎上流社會一位交際花曲折凄婉的愛情故事。作品通過一個妓女的愛情悲劇，揭露了法國七月王朝上流社會的糜爛生活。對貴族資產階級的虛偽道德提出了血淚控訴。在法國文學史上，這是第一次把妓女作為主角的作品。
3、作者簡介
小仲馬，法國小說家，戲劇家。大仲馬的私生子。7歲時大仲馬才認其為子，但仍拒不認其母為妻。私生子的身世使小仲馬在童年和少年時代受盡世人的譏誚。成年後痛感法國資本主義社會的淫靡之風造成許多像他們母子這樣的被侮辱與被損害者，決心通過文學改變社會道德。他曾說：「任何文學，若不把完善道德、理想和有益作為目的，都是病態的、不健全的文學。」這是他文學創作的基本指導思想。而探討資產階級的社會道德問題，則是貫穿其文學創作的中心內容。

㈧ 茶花女的英文簡介

La Dame aux camé

[Francesco Maria Piave's libretto for La traviata is based upon the novel La Dame aux camélias by Alexandre Dumas, fils. The following article traces the creation of that work. - NMR]

Alexandre Dumas, fils (son), born in Paris in 1824, is considered one of the foremost French dramatists of the nineteenth century. He was the illegitimate son of Alexandre Dumas, pére (father), the author of such novels as The Count of Monte Cristo and The Three Musketeers.

Dumas was raised by his seamstress mother, Catherine Labay, until his father legally recognized him and assumed responsibility for his care. He attended college but left before receiving a degree. His illegitimacy caused him much unhappiness, both in private school and in college where he had few friends. At age seventeen, he moved in with his father, soon adopted his extravagant lifestyle and fell into debt. At the theatre one evening he first saw Marie Duplessis, already famous in the demimonde for her beauty and ability to get men to spend money on her. In an episode reflected in the opera, he was at her home one day when a coughing episode resulted in her spitting up blood. He urged her to change her way of life, but she replied, "I should die. This life of excitement is what keeps me alive". He offered the kind of life she would need to get well, and she finally agreed upon the condition. "You are not to spy on me, you are not to ask questions; I shall live exactly as I please without giving you any account of what I do." Thus began liaison, as a result of which Dumas was soon deeply in debt. Finally, he decided he must break with her and sent her the following letter.

My dear Marie, I am neither rich enough to love you as I should like, nor poor enough to be loved by you as you would like. There is nothing for us to do but forget — you a name which must mean very little to you; I a happiness which is no longer possible for me. Needless to tell you how miserable I am, since you know how I love you. So, this is goodbye. You are too tenderhearted not to understand the reason for this letter, too intelligent not to forgive me. A thousand souvenirs, — A.D.

He was on a trip to Spain and North Africa when he learned that she was gravely ill. He wrote to her, telling her he would return and ask for her forgiveness. But he waited too long. Duplessis died of tuberculosis in 1846. Her tragic death, along with bitterness over his illegitimacy, inspire Dumas to write the novel La Dame aux camélias (The Lady of the Camellias), portions of which are based on the Duplessis-Dumas affair. The name of the hero, Armand Duval, is a thin disguise for the author. Actually, Dumas tells the story in the third person as it was related to him by Armand Duval.

Dumas ends his novel with great admiration for his heroine: "I do not draw from this story the conclusion that all women like Marguerite are capable of doing all that she did...far from it; but I have discovered that one of them experienced a serious love in the course of her life, that she suffered for it, and that she died of it". In life, Dumas had tried to save her; in the novel he tried to redeem her memory by making her a much less self-centered and more sympathetic character. This is the Marie best known today in her manifestations as Violetta, Camille and Marguerite.

Dumas's greatest triumph came in 1852 with the proction of the stage adaptation of the play based on this novel. It faithfully portrayed the life of a Parisian courtesan and brought realism to the French stage. His father was at first skeptical of the proposal to convert the novel to a play but so moved by the result that he agreed to proce it. Censors feared audiences would recognize characters as admirers of Duplessis and create a scandal, delaying the opening for four years. A powerful member of the nobility, the Duc de Morny, half brother of Napoleón III, supported Dumas, and the play was a success. It enabled Duma to pay off his debts, many incurred with Marie. Henry James later observed, "Some tender young men and some coughing young women have only to speak the lines to give it a great place among the love stories of the world". Giuseppe Verdi apparently heartily agreed because he based his popular opera La traviata on Dumas's work.

The success of La traviata did not quiet the critics of Dumas's La Dame aux camélias. Some considered the story poor and clumsy and said it cast a very thin veil over the most immoral acts. The same critics said Marguerite Gautier (the name given to the Duplessis in the play) is totally corrupt and in real life would not have given up her lover until he had no money left to support her. One wrote, "We are bound to protest against the false halo which he has shed round Marquerite to render her attractive to the undiscriminating reader".

The critics and essayists have continued to evaluate Dumas's work. In a 1972 essay, Roger Clark wrote, "It is a society from which there can be no escape, in which the penalty for non-conformity is death". In 1874, Dumas was elected to the illustrious L'Academie Française, an act which also prompted severe criticism. It was said, "In comedies inherently vicious he pauses to preach virtue but with language shocking even to vice, yet he has been elected a member of the French Academy, constituted to be a tribunal of taste".

Clayton Hamilton attempted to explain why the play has held the stage for over a century. He believes that it is because every celebrated actress desires to play the role of Marguerite Gautier.

No woman has ever failed as Camille (the name later given the heroine in this country for no explicable reason). It is kept alive because it contains a very easy and celebrated part that every ambitious actress wants to play. La Dame aux camélias is brought back decade after decade, not by reason of the permanent importance of the suthor but by reason of recurrent aspirations of an ever-growing group of emotional actresses.

Among the famous actresses who have had successes as Camille were Eleanora Duse, Sarah Bernhardt and Greta Garbo, who starred in the 1937 film with Robert Taylor. Bernhardt first played the role in her thirties and continued it until a number of her 'farewell' tours when she was seventy and had only one leg.

Dumas had a relationship with a Russian princess in 1859. A daughter was born, but they did not acknowledge her as theirs until the princess was widowed. He continued to write material that shocked his contemporaries — eleven of his plays have illicit love as a theme — yet he was admitted to the Legion d'honneur. His wife died in 1895 and, after marrying his long-time mistress, he died that same year.

In 1929, the Chicago Civic Opera proced a new work, Camille by a young American composer, Hamilton Forrest, and commissioned by the famous soprano, Mary Garden. It was to be sung in French with a contemporary setting. After many delays, it finally opened to mixed reviews. Mary Garden was acclaimed, the music less so. One critic called it a masterpiece, another saw no future for it. It had a few more performances, and parts were broadcast on the radio; then it disappeared. Despite some recent attempts to revive interest in it, Camille is probably doomed to obscurity, while Verdi's La traviata continues to be one of the most popular and frequently performed operas.

㈨ 歌劇茶花女英文名

《茶花女》(中文)
《The Lady of the Camellias》(英文)
《La dame aux Camélias》 (法文)

㈩ 《茶花女》的英文名是什麼

Camille 茶花女