槍炮玫瑰英文

① gun's rose /槍花/槍與玫瑰/槍炮玫瑰/這幾個詞是一個意思么我不懂啊。（汗）請幫我辨析一下，謝謝。

是的,國外著名樂隊,因為兩個主唱來自不同樂隊,風格不同,起了這個名字,Don't cry就是他們的著名作品

介紹:
槍炮玫瑰樂隊(Guns N' Roses，簡稱GNR，國內簡稱「槍花」)可能是世界上最著名，擁有最多歌迷的硬搖滾樂隊了，他們曾經創下了音樂歷史上處子作專輯的最高銷售紀錄，擁有史上最偉大的搖滾樂專輯之一的《毀滅的慾望》(Appetite for Destruction)，擁有兩張專輯同時成為Billboard 200排行榜冠亞軍的神話，他們曾經是整個世界流行音樂界最耀眼的商業明星。當1988年槍與玫瑰樂隊的單曲《Sweet Child O' Mine》第一次闖入了主流流行音樂市場的時候，他們就像主流搖滾樂中的叛逆戰士一樣，吹響了橫行無阻的流行金屬時代的熄燈號。在那個迪斯科舞曲和流行搖滾樂的最鼎盛時代，槍與玫瑰不同於80年代中後期盛行的以Def Leppard和Motley Crue樂隊為代表的長發流行金屬，也不同於史密斯飛船樂隊(Aerosmith)這樣明顯留有七十年代布魯斯搖滾樂痕跡的樂隊，更不同於金屬樂隊(Metallica)這樣的速度金屬和鞭笞重金屬樂隊。
但是槍花自從鼎盛期的創紀錄的長達兩年的世界規模巡迴演出之後，特別是Izzy Stradlin離隊之後，使樂隊明顯的開始走下坡路，並且在不久出現了分裂，在樂隊成員因為音樂發展道路上的分歧而徹底破裂之後，樂隊也進入了近十年的低潮期，但是他們依舊始終是世界頂尖的搖滾樂隊，依舊擁有全世界各地無數的忠心並對他們充滿期待的歌迷，任何有關槍與玫瑰的新音樂作品都會成為唱片市場上最搶手的東西。
附：成員變更記錄
1985年3月陣容：
W. Axl Rose 主唱
Izzy Stradlin 吉他手
Tracii Guns 吉他手
Duff McKagan 貝斯手
Rob Gardner 鼓手

1985年6月陣容：
W. Axl Rose 主唱
Izzy Stradlin 節奏吉他手
Slash 主吉他手
Duff McKagan 貝斯手
Steven Adler 鼓手

1990年4月，鍵盤手Dizzy Reed入隊；

1990年7月，鼓手Steven Adler因為毒癮太大無法正常參與樂隊工作被開除，Matt Sorum入隊

1991年11月7日，節奏吉他手Izzy Stradlin離團，Gilby Clarke入隊

1995年2月，Gilby Clarke被Axl開除

1996年10月30日，因為與主唱Axl在樂隊風格取向上存在不可調和的分歧，Slash離隊

② lol槍炮玫瑰解說視頻，紙上談兵，推薦衣服時播放的英文歌曲叫什麼

I want my tears back

③ 槍炮玫瑰的don't cry

怎麼又是諧音搜索！！！
諧音 音色不正！發音不準！
想學好不？努力練習引文發音吧！！！！！

④ 搖滾樂隊 槍炮玫瑰

Estranged 聽聽是不是這首！

http://www.cecgtt.com/UploadFile/others/Estranged.mp3

⑤ 有一首英文歌曲歌詞中有baby don't...,baby don't...,好像是一個組合，有男有女，但不是槍炮玫瑰的歌

是安室奈美恵 的Baby Don't Cry
作詞：Nao'ymt
作曲：Nao'ymt
編曲：Nao'ymt

信號待ち見かけた見覚えのある青いTシャツ
変わらない笑顏 流れたときはちょうど3years
聲かけようと その隣に見知らぬ誰か
ふとそらした目に映る空はいつもと同じで
きっとこうして人はちょっとずつ
過ぎた季節に記憶を隠す
いつかこぼれた涙集まって
陽を浴びて 輝くまで
そう だからBaby悲しまないで
考えても分かんないときもあるって
散々でも前に続く道のどこかに望みはあるから
雨の朝でも （Baby don't cry）
愛が消えそうでも （Baby don't cry）
ひとりになんてしないから （Baby don't cry）
Baby don't cry Oh yeah... さあ
眠れない夜は何度も寢返りばかり
心細くなって泣き出す 溜め息は深い
また抱えた不安 これ以上解消できず
誰かの手握って見えない明日へ繋ごうと努力し

⑥ 求 槍炮玫瑰 英文簡介

At a time when pop was dominated by dance music and pop-metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don't play rock & roll. They were ugly, misogynist, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, "Sweet Child O' Mine," showed. While Slash and Izzy Stradlin ferociously spit out eling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassist Duff McKagan and drummer Steven Adler were a limber rhythm section who kept the music loose and powerful. Guns N' Roses' music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest — everything that good hard rock and heavy metal should be. There was something refreshing about a band who could provoke everything from devotion to hatred, especially since both sides were equally right. There hadn't been a hard rock band this raw or talented in years, and they were given added weight by Rose's primal rage, the sound of confused, frustrated white trash vying for his piece of the pie. As the '80s became the '90s, there simply wasn't a more interesting band around, but owing to intra-band friction and the emergence of alternative rock, Rose's supporting cast graally disintegrated, as he spent years in seclusion.

Guns N' Roses released their first EP in 1986, which led to a contract with Geffen; the following year, the band released their debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn't start selling until almost a year later, when MTV started playing "Sweet Child O' Mine." Soon, both the album and single shot to number one, and Guns N' Roses became one of the biggest bands in the world. Their debut single, "Welcome to the Jungle," was re-released and shot into the Top Ten, and "Paradise City" followed in its footsteps. By the end of 1988, they released G N' R Lies, which paired four new, acoustic-based songs (including the Top Five hit "Patience") with their first EP. G N' R Lies' inflammatory closer, "One in a Million," sparked intense controversy, as Rose slipped into misogyny, bigotry, and pure violence; essentially, he somehow managed to distill every form of prejudice and hatred into one five-minute tune.

Guns N' Roses began work on the long-awaited follow-up to Appetite for Destruction at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums Use Your Illusion I and Use Your Illusion II were released in September 1991. Messy but fascinating, the albums showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it. The albums sold very well initially, but while they had seemed destined to set the pace for the decade to come, that turned out not to be the case at all.

Nirvana's Nevermind hit number one in early 1992, suddenly making Guns N' Roses — with all of their pretensions, impressionistic videos, models, and rock star excesses — seem very uncool. Rose handled the change by becoming a dictator, or at least a petty tyrant; his in-concert temper tantrums became legendary, even going so far as to incite a riot in Montreal. Stradlin left by the end of 1991, and with his departure the band lost their best songwriter; he was replaced by ex-Kills for Thrills guitarist Gilby Clarke. The band didn't fully grasp the shift in hard rock until 1993, when they released an album of punk covers, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but their own Appetite for Destruction. By the middle of 1994, there were rumors flying that the band was about to break up, since Rose wanted to pursue a new, more instrial direction and Slash wanted to stick with their blues-inflected hard rock. The band remained in limbo for several more years, and Slash resurfaced in 1995 with the side project Slash's Snakepit and an LP, It's Five O'Clock Somewhere.

Rose remained out of the spotlight, becoming a virtual recluse and doing nothing but tinkering in the studio; he also recruited various musicians — including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck — for informal jam sessions. Remaining members were infuriated by Rose's inclusion of childhood friend Paul Huge in the new sessions when both Stradlin and Clarke were excluded from rejoining the band. And a remake of the Rolling Stones' "Sympathy for the Devil" was essentially the straw that broke the camel's back, as Rose cut out some of the other member's contributions and pasted Huge over the song without consulting anyone else. By 1996, Slash was officially out of Guns N' Roses, leaving Rose the lone remaining survivor from the group's heyday; rumors continued to swirl, and still no new material was forthcoming, though Rose did re-record Appetite for Destruction with a new lineup for rehearsal purposes. The first new original GNR song in eight years, the instrial metal sludge of "Oh My God" finally appeared on the soundtrack to the 1999 Arnold Schwarzenegger film End of Days. Soon after, Geffen issued the two-disc Live Era: '87-'93.

2000 brought the addition of guitarists Robin Finck (of Nine Inch Nails) and Buckethead. 2001 was greeted with Guns N' Roses' first live dates in nearly seven years, as the band (who consisted of Rose plus guitarists Finck, Buckethead, bassist Stinson, former Primus drummer Brian "Brain" Mantia, childhood friend and guitarist Paul Huge, and longtime GNR keyboardist Dizzy Reed) played a show on New Years Eve 2000 in Las Vegas, playing as well at the mammoth Rock in Rio festival the following month. On New Years Eve 2001, the band played almost the exact same set as the year before.

An appearance at MTV's 2002 Video Music Awards helped garner interest in the new lineup, but a rusty performance from Rose and an interview where he said his new album wasn't coming out anytime soon didn't do much to further their cause. That summer, the band started on their first tour in almost eight years, and they managed to fulfill all of their commitments in Europe and Asia. Sadly, they caused a violent and destructive riot in Vancouver when Rose failed to show up for the first date of their North American tour. While he was up to his old shenanigans with the retooled lineup, former Stone Temple Pilots vocalist Scott Weiland, Slash, Sorum, and McKagan formed the successful Velvet Revolver in spring 2002.

And so years passed and still no new GNR album, to the point where it became a joke to many. The album was long billed as Chinese Democracy, and occasionally session recordings would leak and make their way onto Internet file-sharing networks. A fascinating article written by Jeff Leeds for The New York Times, published March 2005, revealed how tangled and costly the making of the album had become. According to the article, titled "The Most Expensive Album Never Released," Rose began work on the album in 1994 and racked up proction costs of at least 13 million dollars. Procers involved with the album at one time or another include Mike Clink, Youth, Sean Beavan, and even Roy Thomas Baker. (Curiously, Moby claimed to have been offered the job as well.) Marco Beltrami and Paul Buckmaster were allegedly brought in for orchestral arrangements, and there was a revolving door of guitarists. In 2006, the album seemed closer to release, as Rose began surfacing in public and even took his band on the road for some shows.

⑦ 英語multiplier怎麼翻譯

英語multiplier的中文意思是：[數] 乘數；[電子] 倍增器；增加者；繁殖者。

重要詞彙：

• multiplier

讀音：英 [ˈmʌltɪplaɪə] 美 [ˈmʌltɪplaɪər]

釋義：n.增加者；乘數；乘（或倍）數；收益增值率；倍增器；擴量（程）器；齒輪軸釣魚線

短語：

• multiplier effect乘數效應 ; 倍數作用 ; 乘數效果 ; 延增效應

• Megapixel Multiplier Rule像素翻倍法則 ; 像素翻倍規律 ; 像素翻倍規則 ; 像葷翻倍法則

• voltage multiplier[電子]倍壓器 ; 電壓倍增器倍壓器 ;[電子]電壓倍增器 ; 電壓乘法器

• image multiplier影像倍增器

例句：

• Nowwetry toapplyour Lagrangemultiplierequations.

  現在我們來用拉格朗日乘數法方程。

• The debatehinges onthescaleof the"fiscalmultiplier".

  爭論的焦點主要集中在「財政乘數」的規模。

⑧ 帽子上的這幾個英文字母什麼意思

美國的一個硬搖滾樂隊 槍炮與玫瑰，也可以叫做槍花 GN'R 或GnR ，這些是別名啦

⑨ 法語歌詞翻譯===Peche d』envie

這就是我想要做
要說
是，我想有t
要理解
是，我想有嚼BR升有阻力
是，我希望能有RI CH
和魔鬼原諒我，我所有美麗的願望

這是我想要看到有EN MI
是，我想知道
要征服
是，我想必須有挖空賽艇都曾有希望已經失去了一切
和魔鬼原諒我這些荒謬的渴望
但我堅持我的褶皺
我將打破牙齒
他是贏家

所以，我希望能有聽力的味道
所以我想在雲中必須有觸摸
所以我想有PRIð先生，我想VOR的歌聲和
和魔鬼原諒我沒有扣除這些慾望
但我著手嘲弄
它是我經常服用，慢慢地，隨著時間的推移

所以我想有目的，有ADOR
所以我想有damne和測試
所以我想有想有咬傷你感嘆格里夫哭
是上帝原諒我這幾年的甜P C小號
是上帝原諒我這幾年的甜P C小號
上帝原諒我
原諒我，魔鬼
原諒我，魔鬼
上帝原諒我
原諒我，魔鬼

⑩ 求lol槍炮玫瑰解說懲戒之箭的幾首背景英文音樂，給謝了

那個懲戒第三個皮膚視頻曲子叫In My Remains是linkin park的，其它的不知道了